{"title":"A2 Posters","description":"","products":[{"product_id":"indiana-love-louisiana-plakat","title":"Robert Indiana – Anniversary Poster - Love (1972)","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e Anniversary poster with the work, \u003cem\u003eLove\u003c\/em\u003e , (1972) by the American artist, Robert Indiana, (1928-2018). The work was originally reproduced on the exhibition poster in connection with the Louisiana exhibition of Indiana in 1972. With razor-sharp precision, bright colors and template-like reproduction of words such as EAT, KILL and, as here, LOVE, Robert Indiana cast a critical light on American society.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAmerican pop artist – or as he called himself, “sign painter” – Robert Indiana’s rendering of the word, LOVE, is one of the most recognizable works of art of the 20th century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIndiana's iconic, clean graphic expression, use of numbers and letters, and bright colors have inspired many artists who use the written word as a central part of their works.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe poster is one of the anniversary posters that were reprinted in connection with Louisiana's 60th anniversary in 2018.\u003cbr\u003e\u003cbr\u003eThe poster is printed on 170 gsm Munken Lynx paper, giving it a more matte surface finish.\u003cbr\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32082076631120,"sku":"11608","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/LoveIndianaweb.jpg?v=1614697348"},{"product_id":"pipilotti-rist-ever-is-overall-1997-louisiana-plakat","title":"Pipilotti Rist – Ever is Overall (1997)","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eLouisiana poster with a still image from the video work, \u003cspan\u003e\u003cem\u003eEver is Overall,\u003c\/em\u003e (1997) \u003cem\u003e,\u003c\/em\u003e by Pipilotti Rist\u003c\/span\u003e (b. 1962). \u003cspan data-mce-fragment=\"1\"\u003eSwiss Rist\u003c\/span\u003e is one of the biggest and most popular names in contemporary art. She is known for her sensory-rich, colorful and strange video works and installations. \u003cspan data-mce-fragment=\"1\"\u003eThe poster was released in 2019 in connection with\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003eLouisiana's major exhibition, 'Pipilotti Rist - Open My Light'.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn the video work, \u003cem\u003eEver is Overall\u003c\/em\u003e , a woman, \"armed\" with a tropical flower, is seen strolling in slow motion along the sidewalk while she smashes car windows with the flower.\u003c\/p\u003e\n\u003cp\u003eYet Pipilotti Rist succeeds, especially through tempo, music and close-ups of flowers, in transforming a seemingly destructive act into a kind of hopeful and redemptive gesture. Rist's art can seem both challenging and provocative, but also full of joy and humor.\u003c\/p\u003e\n\u003cp\u003eShe was actually baptized Elisabeth Charlotte Rist, but already at a young age she took the stage name, Pipilotti, as a greeting to Astrid Lindgren's anarchic and free-thinking Pippi Longstocking.\u003c\/p\u003e\n\u003cp\u003eOne of Pipilotti Rist's first large-format video works is \u003cem\u003eEver is Overall\u003c\/em\u003e . The work has become an iconic reference point over the years, and many may think of Beyoncé's music video, 'Hold Up', from her 2016 album, Lemonade.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32082518868048,"sku":"100490","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/100490-PipilottiRist.EverisOverall_1997-Ingen-Ramme.jpg?v=1613131258"},{"product_id":"marsden-hartley-elsa-kobenhavn-1916-louisiana-plakat","title":"Marsden Hartley – Elsa Copenhagen (1916)","description":"\u003cp\u003eLouisiana Poster with the work, \u003cem data-mce-fragment=\"1\"\u003eElsa Kobenhavn,\u003c\/em\u003e (1916)\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003eby the American artist, Marsden Hartley (1877-1943). \u003cspan\u003eAlthough Marsden Hartley has been called \"America's first great modern painter of the 20th century\", his original work has long been overlooked. In 2019, Louisiana presented him at the first retrospective exhibition in Europe in over 60 years – an exhibition that was an eye-opener for most.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMarsden Hartley was both a painter and a poet, and spent much of his life as a nomad between Europe and the United States. Although he was almost always on the move, he never came to Copenhagen. The painting here is a geometrically inspired depiction of a Danish ship at anchor in Boston harbor.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHartley's many travels resulted in a series of deeply original groups of works from 1906 to 1943\u003c\/span\u003e - works that can be seen as a bridge between European and American modernism.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAmong the works are abstract paintings based on military symbols from the horrors of World War I, almost surreal landscapes from New Mexico, and feminized figure paintings of muscular workers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMarsden Hartley was centrally placed in the art world both in Europe and at home. Nevertheless, Hartley's art has been largely unknown - perhaps because of the multifaceted nature of his work, which has made it difficult to place him in art history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Louisiana exhibition was one of the largest presentations of Marsden Hartley's art. With over 110 paintings, the exhibition encompassed the artist's entire oeuvre, including his work as a poet and essayist.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32094713774160,"sku":"102036","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/marsdenHartleyElsaplakatweb.jpg?v=1615905103"},{"product_id":"rotraut-untitled-ca-1972-louisiana-plakat","title":"Rotraut – Untitled (1972)","description":"\u003cp\u003eExhibition poster published in connection with Louisiana's 2018 exhibition: The Moon – From the Inner World to Outer Space.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe exhibition featured up to 150 works about the Moon as one of our culture's great motifs and drew a multifaceted portrait of Earth's natural satellite through art, film, music, literature, cultural historical objects, design, architecture, natural science and astronomy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAs the only celestial body whose surface can be seen with the naked eye from Earth, the Moon has fascinated artists and writers for centuries. Its round, white disk has been an open projection surface for myths, imaginations and dreams.\u003c\/p\u003e\n\u003cp\u003eWhen we look out into space, we also see ourselves – and the Moon becomes, as an absolute\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOtherness\u003c\/em\u003e , a mirror for the human. Here science and folk belief, fiction and technology, existential search and economic expansion drive meet.\u003c\/p\u003e\n\u003cp\u003eLouisiana's exhibition examined how seemingly contradictory cultural impulses are intertwined in the recent history of the Moon.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32099558588496,"sku":"11617","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/11617-RotrautUntitledca1972-Ingen-Ramme.jpg?v=1585770875"},{"product_id":"eggleston-flyversjus-louisiana-plakat","title":"William Eggleston - Anniversary Poster - Los Alamos (1966-74)","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eAnniversary poster with work by the American photographer, William Eggleston, (b. 1937) from the series, Los Alamos, taken in the period 1966-74. Eggleston is one of the artistic pioneers of color photography, and he became a controversial figure in the art world from the beginning of his career. The Los Alamos series gave its name to the Louisiana exhibition of Eggleston's photos in 2004.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“Democratic images” is what Eggleston likes to call his photographs: Everything is depicted with equal accuracy by the camera and no subject is better or worse than another. Anything goes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBut the seemingly random, and in themselves almost meaningless, motifs are always only a starting point for Eggleston's artistic interpretations. During development, he manipulates and intensifies the colors of the images, so that the finished photographs - despite the possible banality of the motif - appear with a peculiarly disturbing and almost supernatural beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe poster is one of the anniversary posters that were reprinted in connection with Louisiana's 60th anniversary in 2018.\u003cbr\u003e\u003cbr\u003eThe poster is printed on 170 gsm Munken Lynx paper, giving it a more matte surface finish.\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32247060955216,"sku":"11613","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/11613Egglestonfarveredigerettilweb.jpg?v=1614696479"},{"product_id":"alexander-calder-myresluger-1996-louisiana-plakat","title":"Alexander Calder – Anniversary Poster - Anteater (1963)","description":"\u003cp\u003eLouisiana anniversary poster featuring the work, \u003cem\u003eAnteater - anteater,\u003c\/em\u003e (1963), by Alexander Calder (1898-1976). Calder's three iconic sculptures have been permanent fixtures in Louisiana's sculpture park since 1976, and the view of Øresund from the Calder terrace has since become an integral part of a visit to Louisiana. \u003cspan\u003eThe poster is a reprint in connection with Louisiana's 60th anniversary in 2018.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAcrobats, tightrope walkers and celestial planets were a major source of inspiration for many of Calder's sculptures. What they have in common is that they are constantly in motion, and that this movement appears to occur almost freely in space.\u003c\/p\u003e\n\u003cp\u003eBut invisible forces ultimately determine how they move. In his sculptures, Calder wanted not just to show movement, but also to capture it and make visible the forces that bound the movement.\u003c\/p\u003e\n\u003cp\u003eMany have tried to describe the playful grace of Calder's sculptures. The French philosopher, Jean Paul Sartre, thus:\u003cbr\u003e\u003cbr\u003eA Calder object is like the sea. Eternally repeated, always new. One look at it is not enough. You have to live with it every day and let yourself be enchanted.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe poster is a reprint of the poster from Louisiana's Alexander Calder exhibition in 1995-96.\u003cbr\u003e\u003cbr\u003eThe poster is printed on 170 gsm Munken Lynx paper, giving it a more matte surface finish.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32247092215888,"sku":"11612","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/Caldermyreslugerweb.jpg?v=1614697690"},{"product_id":"jean-arp-louisiana-plakat","title":"Jean Arp – Anniversary poster (1962)","description":"\u003cp\u003eAnniversary poster featuring the work of the German-French artist, Jean Arp, (1886-1966), from Louisiana's exhibition with Arp in 1962. The tradition of graphically striking expressions in poster form was already established in Louisiana's infancy, of which this poster from 1962 is a distinguished example of. The poster here is one of the posters reprinted in conjunction with Louisiana's 60th anniversary in 2018.\u003c\/p\u003e\n\u003cp\u003eJean Arp's sculptures are streamlined, organic forms, where all unnecessary parts have been cleaned away. Their curves seem tight, almost springy. The shape's contour, volume and the smooth polished bronze place the sculptures in an ambiguous place between hard and soft, between abstraction and body.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eLouisiana acquired two of Jean Arp's sculptures immediately after the exhibition in 1962. Since then, more have been added, and Arp's soft bronze sculptures can be seen on the lawn by the magnolia tree in Louisiana's sculpture park.\u003cbr\u003e\u003cbr\u003eThe poster is printed on 170 gsm Munken Lynx paper, giving it a more matte surface finish.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32247096901712,"sku":"11606","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/Jubilaeumsplakat-JeanArplouisianaplakat.jpg?v=1667056301"},{"product_id":"keith-haring-homo-decorens-1985-louisiana-plakat","title":"Keith Haring – Jubilæumsplakat - Homo Decorans (1985)","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eAnniversary poster with the work, \u003cem\u003eHomo Decorans\u003c\/em\u003e , (1985), by the American artist, Keith Haring (1958-1990). The poster is a reprint of the exhibition poster from the Louisiana exhibition, The Decorating Man, in 1985, which covered all the visual arts from architecture and design to fine arts to fashion.\u003c\/p\u003e\n\u003cp\u003eThe poster's eye-catching motif is \u003cspan\u003ea detail from Haring's giant mural, which\u003c\/span\u003e the American pop artist and street artist painted \u003cspan\u003ein Louisiana in July 1985.\u003c\/span\u003e Without sketches or preliminary work, he painted a 15-meter-long and 2.5-meter-high picture in 2 days, which depicts his personal universe with its myriad of human figures, animals and signs.\u003c\/p\u003e\n\u003cp\u003ePatterns and bold colors were the focus of the exhibition, \u003cem\u003eHomo Decorans.\u003c\/em\u003e Floral textiles, pink stoneware, and gilded porcelain harmonized with the punk-inspired clothing of the time.\u003c\/p\u003e\n\u003cp\u003eAmerican Keith Haring moved to New York in 1977 and was inspired by graffiti art. He only began painting on canvas in 1985 – until then he painted on the walls of the city, train tracks, subway walls, etc.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe poster is one of the anniversary posters that were reprinted in connection with Louisiana's 60th anniversary in 2018.\u003cbr\u003e\u003cbr\u003eThe poster is printed on 170 gsm Munken Lynx paper, giving it a more matte surface finish.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32247111647312,"sku":"11610","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/Haring-uden-ramme.jpg?v=1613131085"},{"product_id":"henry-heerup-cobra-udstilling-louisiana-plakat","title":"Henry Heerup – Jubilæumsplakat - Cobra (1966)","description":"\u003cp\u003eAnniversary poster with the work, Cobra, (1966), by the Danish artist, Henry Heerup, (1907-1993), from Louisiana's cobra exhibition in 1966. Together with, among others, his generational colleague, Asger Jorn (1914 – 1973), Heerup is richly represented in Louisiana Collection. On the trip to the museum's café, you can look out on the Heeruphaven (Heerup Garden) from the glass corridor, where a large group of Heerup's imaginative granite sculptures shoot up through the grass and ivy.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe large Cobra exhibition in 1966 showed well over 200 works from the Cobra movement, which was formed in 1948 as a collaboration between Dutch, Belgian and Danish artists - including Henry Heerup.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eCobra has the imagination and the bodily gesture at the center, but manages these values individually and without systematics. One way may be the world of myth, full of animals and beckoning masks, another the vitalist abstraction on the edge of chaos.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe poster is one of the anniversary posters reprinted in conjunction with Louisiana's 60th anniversary in 2018.\u0026nbsp;\u003c\/span\u003eThe poster is printed on thick, matt paper.\u003cbr\u003e\u003cbr\u003eThe poster is printed on 170 gsm Munken Lynx paper, giving it a more matte surface finish.\u003cbr\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32247126163536,"sku":"11607","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/cobraweb.jpg?v=1614697072"},{"product_id":"wolfgang-paalen-cadran-lunaire-louisiana-plakat","title":"Wolfgang Paalen – Cadran Lunaire (1935)","description":"\u003cp\u003eLouisiana poster with the work, \u003cem\u003eCadran Lunaire\u003c\/em\u003e , (1935), by the Austrian-Mexican artist, Wolfgang Paalen, (1905-1959). Cadran Lunaire means lunar disk and the poster was released in conjunction with Louisiana's 2018 exhibition, The Moon – From the Inner World to Outer Space - one of the most ambitious and successful Louisiana ventures in recent times.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe exhibition showed up to 150 works about the Moon, as one of our culture's great motifs, and drew a multifaceted portrait of the Earth's natural satellite through art, film, music, literature, cultural-historical objects, design, architecture, natural science and astronomy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAs the only celestial body whose surface can be seen with the naked eye from Earth, the Moon has fascinated artists and writers for centuries. Its round, white disc has been an open projection surface for myths, imaginings and dreams.\u003c\/p\u003e\n\u003cp\u003eWhen we look out into space, we also see ourselves – and the Moon becomes, as an absolute \u003cspan\u003e'\u003c\/span\u003e otherness', a mirror for the human. Here, science and folklore, fiction and technology, existential quest and economic expansion meet.\u003c\/p\u003e\n\u003cp\u003eLouisiana's exhibit explored how seemingly conflicting cultural impulses intertwine in the Moon's recent history.\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32247145857104,"sku":"11618","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/WolfgangPaalen-CadranLunaire1935.jpg?v=1613131365"},{"product_id":"david-hockney-park-hotel-munich-louisiana-plakat","title":"David Hockney – Park Hotel Munich (1972)","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003eLouisiana poster with the work, \u003cem\u003ePark Hotel Munich,\u003c\/em\u003e (1972), by artist David Hockney (b. 1937).\u003c\/span\u003e Hockney is one of Britain's most influential artists of the 20th century and was central to the 1960s pop art scene in London. He is very well known among many guests at Louisiana, where he has exhibited several times.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDavid Hockney is loved by many for his ability to touch the ordinary - what the world mostly consists of. He likes to let it stand and float a little, so that we become involved, because Hockney both offers a motif and that we ourselves involve ourselves in processing what is seen.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn 2007, Louisiana acquired David Hockney's giant painting \u003cem\u003eA Closer Grand Canyon\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(1998), consisting of 60 smaller canvases put together into one large picture – a work that has since become an absolute masterpiece in the collection.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDavid Hockney currently resides in Normandy, where he constantly experiments with materials and captures local atmospheres with his fantastic line and sure sense of color.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39388242346064,"sku":"106377","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/106377HockneyParkhotelMunich1972.jpg?v=1620051586"},{"product_id":"gustav-klimt-dame-med-hat-og-fjerboa-1909","title":"Gustav Klimt – Dame med hat og fjerboa (1909)","description":"\u003cp\u003eLouisiana poster with the work \u003cem\u003e,\u003c\/em\u003e \u003cem\u003eLady with hat and feather boa,\u003c\/em\u003e (1909) \u003cem\u003e,\u003c\/em\u003e by the Austrian artist, Gustav Klimt (1862-1918). With Louisiana's exhibition, Vienna 1900 - Art and Design, in 1991, for the first time in Scandinavia, you could see a comprehensive presentation of the breakthrough of modern art in Vienna around the year 1900 - including not least the visual arts, of which Gustav Klimt was one of the central exponents in the period.\u003c\/p\u003e\n\u003cp\u003eKlimt also painted landscapes, but among his most prominent works are precisely portraits – and almost only of women. He was preoccupied with surfaces, skin, the clothes around the body, the woman's hair, many view it as a tribute to passion and eroticism.\u003c\/p\u003e\n\u003cp\u003eKlimt was never interested in expressing his personality, in the painter's self-representation. Here he was in direct contrast to, for example Edvard Munch, who expressed his tormented self in his pictures of women.\u003c\/p\u003e\n\u003cp\u003eFrom a successful painter of architectural decorations early in his career, Klimt developed his more personal style, which was considered controversial – culminating in a planned series of pictures for the auditorium of the University of Vienna. The first picture from here was exhibited in the year 1900 and caused great consternation with naked figures from the child to the elderly in their struggle for life.\u003c\/p\u003e\n\u003cp\u003eKlimt then met opposition to his art for the first time. On the other hand, the exhibition was sold out by 35,000 visitors. 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In 1978, the Louisiana exhibition showed Christo's documentation of his Californian, \"Running Fence\": a white nylon fabric that Christo, after several years of preparation, traveled from the coast and 40 kilometers inland, at a height of 5.5 meters, suspended from 2000 masts.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eChristo has always worked on gigantic projects: a 20,000-square-meter orange carpet over a valley in the United States – a work that Louisiana also exhibited in 1974 – and the wrapping of the German government building in Berlin, to name just a few.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAlso with Running Fence, Louisiana's exhibition showed Christo's documentary and sociological reportage about the preparations, which for Christo was part of the artwork.\u003c\/p\u003e\n\u003cp\u003eTogether with his assistants and lawyers, he persuaded farmers, road workers, city councils, conservation and other authorities, and he made calculations together with entire teams of engineers and other specialists. Christo raised the financing with support from museums, art collectors and other interested parties, who bought, among other things, the project's preliminary studies, drawings and collages.\u003c\/p\u003e\n\u003cp\u003eIn this way, Christo not only created things of beauty. As a landscape and environmental artist, his actions uncovered social mechanisms and shed light on attitudes, prejudices and legislation. And the sheer size of his works became a quality in itself.\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39697993597008,"sku":"108016","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/christolouisianaplakat108016.jpg?v=1648631174"},{"product_id":"alex-da-corte-rubber-pencil-devil-2019-spogelse","title":"Alex Da Corte – Rubber Pencil Devil (2019) – spøgelse","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eLouisiana poster with still image from the video installation, \u003cem\u003eRubber Pencil Devil,\u003c\/em\u003e (2019), by the American artist, Alex Da Corte (b. 1980). From 14.07.22 to 8.1.23, Louisiana presents a visual powerhouse of an exhibition with Alex Da Corte, where, among other things, the video installation can be experienced. The exhibition is to date the largest exhibition in Europe with the young artist.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlex Da Corte works with painting, sculpture, installation and video, and he often appears in disguise in his films – including everything from Skipper Scarecrow to Eminem and the Statue of Liberty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlex conquers spaces with color at the intersection of design and visual culture. In connection with the exhibition at Louisiana, you can experience, among other things, a brand new work, which is a completely immersive scenography with specially designed floors, brightly colored walls, neon lights and characteristic scents – a whole that is like stepping into a parallel reality.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39794927763536,"sku":"109388","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/109388AlexDaCorteRubberPencilDevilspogelse.jpg?v=1657199973"},{"product_id":"alex-da-corte-rubber-pencil-devil-2019-panter","title":"Alex Da Corte – Rubber Pencil Devil (2019) – pink panter","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eLouisiana poster with still image from the video installation, \u003cem\u003eRubber Pencil Devil,\u003c\/em\u003e (2019), by the American artist, Alex Da Corte (b. 1980). From 14.07.22 to 8.1.23, Louisiana presents a visual powerhouse of an exhibition with Alex Da Corte, where, among other things, the video installation can be experienced. The exhibition is to date the largest exhibition in Europe with the young artist.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlex Da Corte works with painting, sculpture, installation and video, and he often appears in disguise in his films – including everything from Skipper Scarecrow to Eminem and the Statue of Liberty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlex conquers spaces with color at the intersection of design and visual culture. In connection with the exhibition at Louisiana, you can experience, among other things, a brand new work, which is a completely immersive scenography with specially designed floors, brightly colored walls, neon lights and characteristic scents – a whole that is like stepping into a parallel reality.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39801746260048,"sku":"109389","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/109389AlexdaCorteRubberPencilDevilpinkpanter.jpg?v=1657200067"},{"product_id":"alex-da-corte-rubber-pencil-devil-2019-kanin","title":"Alex Da Corte – Rubber Pencil Devil (2019) – Rabbit","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e Louisiana poster with still image from the video installation, \u003cem\u003eRubber Pencil Devil,\u003c\/em\u003e (2019), by the American artist, Alex Da Corte (b. 1980). From 14.07.22 to 8.1.23, Louisiana presents a visual powerhouse of an exhibition with Alex Da Corte, where, among other things, the video installation can be experienced. The exhibition is to date the largest exhibition in Europe with the young artist.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlex Da Corte works with painting, sculpture, installation and video, and he often appears in disguise in his films – including everything from Skipper Scarecrow to Eminem and the Statue of Liberty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlex conquers spaces with color at the intersection of design and visual culture. In connection with the exhibition at Louisiana, you can experience, among other things, a brand new work, which is a completely immersive scenography with specially designed floors, brightly colored walls, neon lights and characteristic scents – a whole that is like stepping into a parallel reality.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39801751601232,"sku":"109390","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/109390Alexdacorterubberpencildevilkanin.jpg?v=1657200534"},{"product_id":"simon-hantai","title":"Simon Hantai – Tables (1978)","description":"\u003cp\u003eLouisiana poster with work from the series, \u003cem\u003eTables (tables, boards, boards)\u003c\/em\u003e , by the Hungarian artist, Simon Hantai (1922-2008), which Louisiana exhibited in 1978. Some perceive Hantai's \"squares\" as bars, confining prison bars - to others they seem invigorating, cheerful and poetic: The squares are broken and bent, and small wedges shoot across the colored fields. Images with a lyrical content, but also subject to a fixed rhythm, like a pulse that could be the artist's own.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHantai belonged to the Ecole de Paris after many years of living in the French capital and has drawn inspiration from, among other things, Matisse's later works and from the American abstract expressionist, Jack Pollack.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor Hantai, too, Paris offered a newfound freedom, a favorable working environment, and his first contacts with surrealism. He set out to try out a myriad of painting techniques and genres, and ended up with almost a compendium of the history of painting from 1920 to 1950 – as if he had to go through the entire development all over again in order to find himself.\u003c\/p\u003e\n\u003cp\u003eIn the wake of Pollock and the action painting of the 1950s, Hantai broke with surrealism and was self-chosen through a number of developmental phases and genres throughout his work.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":40044670779472,"sku":"110837","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/SimonHantaiUntitled.jpg?v=1675850037"},{"product_id":"niko-pirosmani-still-life","title":"Niko Pirosmani – Still Life","description":"\u003cp\u003e\u003cspan\u003eLouisiana poster with the work,\u003c\/span\u003e \u003cem\u003eStill Life,\u003c\/em\u003e \u003cspan\u003eby Georgia's most famous artist and avant-garde hero, Niko Pirosmani, (1862-1918), which Louisiana will exhibit in the spring of 2023. Pirosmani made his living as a sign painter, and the streets of the capital, Tbilisi, were like a gallery for his art. In this still life, food and drink are brought together, isolated from the table they will one day stand on. Everything is ready. Customers can just point to what they want.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThere are only a few sources for the story of Pirosmani, but he is today described as the painter of the Georgian soul, culture and folk life. His pictures are concise, realistic in their simplicity, originally cropped and are about the human space where people are, eat and meet animals.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe appeal of the images is simple, but also sophisticated because they work. With a few brushstrokes, Pirosmani transformed the everyday into the extraordinary. The portraits have the same intensity as Orthodox icons, and the images of the lion, deer and giraffe have something alluring and disturbing about them at the same time. Their eyes stare at you. The black base color shines through the other colors - just like in the portraits.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePirosmani lived and worked in the Georgian capital, Tbilisi, around the turn of the last century - as a self-taught sign painter and penniless vagabond. It was not until the first two decades of the 20th century that an artistic career unfolded for the urban wanderer with his painting equipment in his suitcase. There is both the Van Gogh myth and Henri Rousseau in the position he has come to occupy since.\u003c\/p\u003e\n\u003cp\u003ePirosmani's entry into art history is among the few documented stories about the legend. He was discovered as an artist by artists from the avant-garde circles of Moscow and St. Petersburg, who in the second decade of the 20th century began to orient themselves towards expressions, artistic practices and traditions that could undercut the rigid tastes of the time. A handful of works by Pirosmani were shown at the very famous exhibition The Shooting Star in 1913.\u003c\/p\u003e\n\u003cp\u003eOne understands the avant-garde environment's appreciation for Pirosmani, whose images work - without detours. There is a presence, an immediacy, in his universe that has the clear appeal of a sign painter and expresses great artistic talent.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":46714532036949,"sku":"111621","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/files\/NikoPirosmani-StillLife.jpg?v=1683105481"},{"product_id":"louisian-plakat-ragnar-kjartansson-the-end-roede-striber","title":"Ragnar Kjartansson – The End (red stripes) (2008)","description":"\u003cp\u003e Louisiana poster with the work,\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eThe End (red stripes),\u003c\/em\u003e published in conjunction with Louisiana's 2023 solo exhibition with Icelandic artist, Ragnar Kjartansson (b. 1976),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEpic waste of Love and Understanding\u003c\/em\u003e . Kjartansson has long since made his mark internationally as one of the most important voices in contemporary art, and Louisiana's exhibition includes both new and older works in a variety of media, from drawing and painting to performance and large, spatial works with film and music.\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe motif here comes from Kjartansson's international breakthrough work, The End – Venice, 2009. The work consists of 144 portraits of a young man in Speedo swimming trunks, which Kjartansson painted during a six-month performance for the Venice Biennale in 2009, where he represented Iceland.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e In the wake of the severe collapse of the Icelandic economy in 2008, the work became a counterpoint to capitalism's frenetic, masculine performance culture. Two young men in their prime spent six months hanging out, drinking beer, smoking cigarettes, listening to music, reading, playing guitar.\u003c\/p\u003e\n\n\u003cp\u003e Kjartansson tested the romantic matrix for a male painting genius and painted a picture every day of the undressed model, friend and visual artist, Páll Haukur Björnsson (b. 1981).\u003c\/p\u003e\n\n \u003cp\u003eKjartansson's emotional and political engagement with the world is reflected in his works. They contain his loving, humorous and critical dialogue with Western culture – our self-understanding, successes, clichés, failures, melancholy, confusion, hope and absurdities. Nuanced reflections on masculinity appear in both the work and the exhibition in a thematic range from existential pain to aggressive world politics, which also includes the Danish colonialization of the artist's homeland, Iceland.\u003c\/p\u003e\n\n\u003cp\u003e The works vibrate ambiguously and precisely between existential and political seriousness and pop lightness. With Kjartansson, one usually has to both cry and laugh. The tension between tragedy and comedy is the artist's signature – for example in the work Me and My Mother from 2015, which many will know from the Louisiana collection.\u003cbr\u003e \u003cbr\u003eAt Louisiana, the exhibition with Ragnar Kjartansson follows on from major presentations by other key figures in the contemporary art field of multimedia practices, where performance, video, sound and other media are combined, such as Marina Abramović, Pipilotti Rist, Mika Rottenberg and Arthur Jafa.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":46809362268501,"sku":"111799","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/files\/RagnarKjartansson-TheEndrodstribe.jpg?v=1685973598"},{"product_id":"louisiana-plakat-ragnar-kjartansson-the-end-rosa","title":"Ragnar Kjartansson – The End (pink) (2009)","description":"\u003cp\u003eLouisiana poster with the work,\u003cem\u003e\u003cspan\u003e\u0026nbsp;\u003c\/span\u003eThe End (pink),\u003c\/em\u003e released in conjunction with Louisiana's 2023 solo exhibition with Icelandic artist, Ragnar Kjartansson (b. 1976),\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cem\u003eEpic waste of Love and Understanding\u003c\/em\u003e . Kjartansson has long since distinguished himself internationally as one of contemporary art's most important voices, and Louisiana's exhibition contains both new and older works in a multitude of media, from drawing and painting to performance and large, spatial works with film and music.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe motif here comes from Kjartansson's international breakthrough work, The End – Venice, 2009. The work consists of 144 portraits of a young man in Speedo swimming trunks, which Kjartansson painted during a six-month performance for the Venice Biennale in 2009, where he represented Iceland.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn the wake of the severe collapse of the Icelandic economy in 2008, the work became a counter-image to capitalism's heady, masculine performance culture. Two young men in their prime spent half a year hanging out, drinking beer, smoking cigarettes, listening to music, reading, playing the guitar.\u003c\/p\u003e\n\u003cp\u003eKjartansson tested the romantic matrix of a male painting genius, painting every day a picture of the undressed model, friend and visual artist, Páll Haukur Björnsson (b. 1981).\u003c\/p\u003e\n\u003cp\u003eKjartansson's emotional and political commitment to the world is reflected in the works. They contain his loving, humorous and critical dialogue with Western culture – our self-understanding, successes, clichés, failures, melancholy, confusion, hope and absurdities. Nuanced reflections on masculinity appear in both work and exhibition in a thematic range from existential pain to aggressive world politics, which also includes the Danish colonialization of the artist's homeland, Iceland.\u003c\/p\u003e\n\u003cp\u003eThe works oscillate ambiguously precisely between the existential and political seriousness and the pop lightness. With Kjartansson, you usually have to both cry and laugh. The tension between tragedy and comedy is the artist's signature – for example in the work Me and My Mother from 2015, which many will know from Louisiana's collection.\u003cbr\u003e\u003cbr\u003e At Louisiana, the exhibition with Ragnar Kjartansson follows on from major presentations by other main figures in the contemporary art field of multimedia practices, where performance, video, sound and other media are united, e.g. Marina Abramović, Pipilotti Rist, Mika Rottenberg and Arthur Jafa.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":46809363939669,"sku":"111802","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/files\/RagnarKjartansson-TheEndlys.jpg?v=1685974095"},{"product_id":"louisiana-plakat-ragnar-kjartansson-the-end-mand-pa-badebro","title":"Ragnar Kjartansson – The End (man on jetty) (2009)","description":"\u003cp\u003e Louisiana Poster with the work, \u003cem\u003eThe End (man on jetty),\u003c\/em\u003e 2009 published in connection with Louisiana's solo exhibition in 2023 with the Icelandic artist, Ragnar Kjartansson (b. 1976), \u003cem\u003eEpic waste of Love and Understanding\u003c\/em\u003e . Kjartansson has long since made his mark internationally as one of the most important voices in contemporary art, and Louisiana's exhibition includes both new and older works in a variety of media, from drawing and painting to performance and large, spatial works with film and music.\u003c\/p\u003e\n\n \u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe motif here comes from Kjartansson's international breakthrough work, The End – Venice, 2009. The work consists of 144 portraits of a young man in Speedo swimming trunks, which Kjartansson painted during a six-month performance for the Venice Biennale in 2009, where he represented Iceland.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e In the wake of the severe collapse of the Icelandic economy in 2008, the work became a counterpoint to capitalism's frenetic, masculine performance culture. Two young men in their prime spent six months hanging out, drinking beer, smoking cigarettes, listening to music, reading, playing guitar.\u003c\/p\u003e\n\n\u003cp\u003e Kjartansson tested the romantic matrix for a male painting genius and painted a picture every day of the undressed model, friend and visual artist, Páll Haukur Björnsson (b. 1981).\u003c\/p\u003e\n\n \u003cp\u003eKjartansson's emotional and political engagement with the world is reflected in his works. They contain his loving, humorous and critical dialogue with Western culture – our self-understanding, successes, clichés, failures, melancholy, confusion, hope and absurdities. Nuanced reflections on masculinity appear in both the work and the exhibition in a thematic range from existential pain to aggressive world politics, which also includes the Danish colonialization of the artist's homeland, Iceland.\u003c\/p\u003e\n\n\u003cp\u003e The works vibrate ambiguously and precisely between existential and political seriousness and pop lightness. With Kjartansson, one usually has to both cry and laugh. The tension between tragedy and comedy is the artist's signature – for example in the work Me and My Mother from 2015, which many will know from the Louisiana collection.\u003cbr\u003e \u003cbr\u003eAt Louisiana, the exhibition with Ragnar Kjartansson follows on from major presentations by other key figures in the contemporary art field of multimedia practices, where performance, video, sound and other media are combined, such as Marina Abramović, Pipilotti Rist, Mika Rottenberg and Arthur Jafa.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":46809365610837,"sku":"111800","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/files\/RagnarKjartansson-TheEndmandpabadebro.jpg?v=1685974143"},{"product_id":"louisiana-plakat-pussy-riot-freedrom-doesnt-exist","title":"Pussy Riot - Freedom Doesn't Exist","description":"\u003cp\u003eLouisiana poster released in connection with the museum's autumn 2023 exhibition about the feminist-activist art collective, Pussy Riot, which arose in Moscow in 2011, as a rebellion against the Russian regime. Hundreds of photos and video recordings depict a wide range of Pussy Riot's actions in public space, as well as the consequences for the participants of carrying them out. The group's non-violent actions have led to arrests, beatings, imprisonment, poisoning, surveillance and house arrest. This is the first time Pussy Riot is exhibiting in a museum.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBased on punk, humor, poetry and rage, Pussy Riot is world-renowned for sudden actions, where they challenge the Russian regime with brightly colored clothes, protest songs and disguises.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe group emerged in 2011 around the time when then Prime Minister Vladimir Putin had announced that he was again running for the presidency in the upcoming Russian elections in March 2012. With politically based songs and actions, they try to call out both the population and the government.\u003c\/p\u003e\n\u003cp\u003eIn January 2012, they staged an action in Red Square in Moscow, where they performed a song mocking Vladimir Putin. Soon after, they did an action in the Church of the Savior in Moscow, where they ran up to the altar and performed a \" \u003cem\u003ePunk Prayer\u003c\/em\u003e \". A song where, among other things, they asked the Virgin Mary to step into character as a feminist and free Russia from Vladimir Putin. The pictures from the action went around the world.\u003c\/p\u003e\n\u003cp\u003eAs a consequence of the action in the Church of the Savior in Moscow, three of the group's members were sentenced to two years in prison. They were charged with \"hooliganism motivated by religious hatred\". The trial and the imprisonments received enormous international attention.\u003c\/p\u003e\n\u003cp\u003eIn addition to the anti-Putin and anti-system actions and songs, Pussy Riot is known for their bold and sophisticated humor in the fight for freedom of speech, equality, LGBTQ+ rights and attention to the oppression of the Russian population in a wider sense.\u003c\/p\u003e\n\u003cp\u003ePussy Riot operates with sudden actions with a surprise effect, which they e.g. documents with photo and video recordings. They also release and tour punk music; publishes books; participates in debates and makes political speeches. In Denmark, they have performed at Vega, Folkemødet, Heartland Festival and Roskilde Festival, among others.\u003c\/p\u003e\n\u003cp\u003eFrom a cultural historical perspective, Pussy Riot's work has roots in Dada, Fluxus, political art and actionism in the 20th century, and they take the methods of happening and performance art to the extreme in the unprotected environment of public space.\u003c\/p\u003e\n\u003cp\u003eToday, Pussy Riot is more of a movement than a defined collective. Pussy Riot is active in smaller groups and in different, uncoordinated projects all over the world, and the motto is that \"everyone can be Pussy Riot\".\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":47239342915925,"sku":"112431","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/files\/PussyRiot-FreedomDoesn_tExist.jpg?v=1695623035"},{"product_id":"chaim-soutine-le-groom-piccoloen-1925","title":"Chaïm Soutine – Le Groom (The Piccolo) 1925","description":"\u003cp\u003eLouisiana Poster with the work, \u003cem\u003eLe Groom\u003c\/em\u003e , by the painter, Chaïm Soutine (1893-1943), published in connection with the Louisiana exhibition in 2024. \u003cspan data-mce-fragment=\"1\"\u003eChaïm Soutine\u003c\/span\u003e was born in what is today Belarus, and is considered among the leading expressionists of the so-called School of Paris , and it is obvious that with the exhibition in Humlebæk – the first ever in Northern Europe – he will gain a new and larger audience. Despite being considered a central artist in classical modernism, Soutine has not previously achieved far-reaching attention in our latitudes.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAs a painter, Soutine went his own way. Where many of his contemporaries were preoccupied with avant-garde Cubism, Dadaism and Fauvism, Soutine was relatively unimpressed by these ramifications of Modernism. Instead, he cultivated his own characteristic, very intense painting and an expressive expression that makes his paintings completely unique.\u0026nbsp;\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSoutine painted figures, still lifes and landscapes and is known for his distorted motifs, fiery colors and restless, powerful linework. His paintings are explosions of color, beautiful and violent at the same time and with an intensely trembling, disturbing and jagged imagery.\u003c\/p\u003e\n\u003cp\u003eThe artistically innovative potential of Soutine's work has had an influence well into the 20th century and has been a significant source of inspiration for artists such as Francis Bacon, Willem de Kooning and Georg Baselitz, who are all represented in Louisiana's collection. His name is often mentioned when contemporary artists are asked to point to their artistic role model.\u003c\/p\u003e\n\u003cp\u003eChaïm Soutine grew up in extreme poverty in a Jewish Orthodox family and knew at an early age that he wanted to be an artist and, despite his parents' great misgivings, was allowed to receive drawing lessons in Minsk.\u003c\/p\u003e\n\u003cp\u003eHere, as a very young man, he painted a portrait of a man, which went against the orthodox canon, and Soutine was attacked and mistreated by the man's sons. The parents managed to get compensation for the assault paid out, and with this amount Soutine was able to go to Vilnius and enroll in the city's art school.\u003c\/p\u003e\n\u003cp\u003eIn 1913 he went to Paris, then the capital of the European avant-garde and a meeting point for many voluntarily and involuntarily exiled artists – especially from Eastern Europe. Although the metropolis was his second home, he remained an outsider throughout his life.\u003c\/p\u003e\n\u003cp\u003eThe first many years in Paris were characterized by hunger and poverty. Only in 1922-1923 did Soutine achieve a sudden and completely unexpected form of recognition, when the American collector Albert C. Barnes acquired no less than 52 of his works. This led to an improvement in Soutine's financial circumstances, but it did little to change his restless and shy nature – he constantly changed lodgings, formed few close relationships, spoke French poorly and was described as odd.\u003c\/p\u003e\n\u003cp\u003eOn the whole, we know very little about him as a person. He left behind very few drawings and sketches and no notes, kept no diary and only wrote a few cards and letters. As stateless and Jewish, his existence became extremely uncertain when the Germans entered and occupied Paris in 1940. Soutine lived more or less in hiding and on the run in his last years. When he finally ventured back to Paris in 1943 for surgery on a bleeding stomach ulcer, it was too late.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":47716361765205,"sku":"113446","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/files\/118385_SOUTINE_A2__3xplakater__besk_LOLeGroom1925Piccolo.jpg?v=1704811720"},{"product_id":"chaim-soutine-le-maitre-d-hotel-overtjeneren","title":"Chaïm Soutine – Le Maitre d'hôtel (The Butler)","description":"\u003cp\u003eLouisiana Poster with the work, \u003cem\u003eLe Maitre d'hôtel\u003c\/em\u003e , by the painter, Chaïm Soutine (1893-1943), published in connection with the Louisiana exhibition in 2024. \u003cspan data-mce-fragment=\"1\"\u003eChaïm Soutine\u003c\/span\u003e was born in what is today Belarus, and is counted among the so-called The Paris School's leading expressionists, and it is obvious that with the exhibition in Humlebæk – the first ever in Northern Europe – he will gain a new and larger audience. \u003cbr\u003e\u003cbr\u003eDespite being considered a central artist in classical modernism, Soutine has not previously achieved far-reaching attention in our latitudes.As a painter, Soutine went his own way. Where many of his contemporaries were preoccupied with avant-garde Cubism, Dadaism and Fauvism, Soutine was relatively unimpressed by these ramifications of Modernism. Instead, he cultivated his own characteristic, very intense painting and an expressive expression that makes his paintings completely unique.\u003c\/p\u003e\n\u003cp\u003eSoutine painted figures, still lifes and landscapes and is known for his distorted motifs, fiery colors and restless, powerful linework. His paintings are explosions of color, beautiful and violent at the same time and with an intensely trembling, disturbing and jagged imagery.\u0026nbsp;\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003eThe artistically innovative potential of Soutine's work has had an influence well into the 20th century and has been a significant source of inspiration for artists such as Francis Bacon, Willem de Kooning and Georg Baselitz, who are all represented in Louisiana's collection. His name is often mentioned when contemporary artists are asked to point to their artistic role models.\u003c\/p\u003e\n\u003cp\u003eChaïm Soutine grew up in extreme poverty in a Jewish Orthodox family and knew at an early age that he wanted to be an artist and, despite his parents' great misgivings, was allowed to receive drawing lessons in Minsk.\u003c\/p\u003e\n\u003cp\u003eHere, as a very young man, he painted a portrait of a man, which went against the orthodox canon, and Soutine was attacked and mistreated by the man's sons. The parents managed to get compensation for the assault paid out, and with this amount Soutine was able to go to Vilnius and enroll in the city's art school.\u003c\/p\u003e\n\u003cp\u003eIn 1913 he went to Paris, then the capital of the European avant-garde and a meeting point for many voluntarily and involuntarily exiled artists – especially from Eastern Europe. Although the metropolis was his second home, he remained an outsider throughout his life.\u003c\/p\u003e\n\u003cp\u003eThe first many years in Paris were characterized by hunger and poverty. Only in 1922-1923 did Soutine achieve a sudden and completely unexpected form of recognition, when the American collector Albert C. Barnes acquired no less than 52 of his works. This led to an improvement in Soutine's financial circumstances, but it did little to change his restless and shy nature – he constantly changed lodgings, formed few close relationships, spoke French poorly and was described as odd.\u003c\/p\u003e\n\u003cp\u003eOn the whole, we know very little about him as a person. He left behind very few drawings and sketches and no notes, kept no diary and only wrote a few cards and letters. As stateless and Jewish, his existence became extremely uncertain when the Germans entered and occupied Paris in 1940. Soutine lived more or less in hiding and on the run in his last years. When he finally ventured back to Paris in 1943 for surgery on a bleeding stomach ulcer, it was too late.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":47716362486101,"sku":"113447","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/files\/113447_soutine_overtjeneren-med-ramme.jpg?v=1718281604"},{"product_id":"chaim-soutine-nature-morte-aux-harengs-stilleben-med-sild-1915-1916","title":"Chaïm Soutine – Nature morte aux herengs (Still life with herring) (1915-1916)","description":"\u003cp\u003eLouisiana Poster with the work, \u003cem\u003eStill life with herring,\u003c\/em\u003e by the painter, Chaïm Soutine, (1893-1943), published in connection with the Louisiana exhibition in 2024. The image \u003cspan data-mce-fragment=\"1\"\u003edates from Soutine's first years in Paris, which were characterized by deep poverty. Hunger is a recurring theme, and the first still lifes perhaps speak most strongly of these years of misery. Chaïm Soutine was born in what is today Belarus, and he is counted among the leading expressionists of the so-called Paris school. It is obvious that with the exhibition in Humlebæk – the first ever in Northern Europe – he will gain a new and larger audience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eDespite being considered a central artist in classical modernism, Soutine has not previously achieved far-reaching attention in our latitudes.\u0026nbsp;\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs a painter, Soutine went his own way. Where many of his contemporaries were preoccupied with avant-garde Cubism, Dadaism and Fauvism, Soutine was relatively unimpressed by these ramifications of Modernism. Instead, he cultivated his own characteristic, very intense painting and an expressive expression that makes his paintings completely unique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSoutine painted figures, still lifes and landscapes and is known for his distorted motifs, fiery colors and restless, powerful linework. His paintings are explosions of color, beautiful and violent at the same time and with an intensely trembling, disturbing and jagged imagery.\u003c\/p\u003e\n\u003cp\u003eThe artistically innovative potential of Soutine's work has had an influence well into the 20th century and has been a significant source of inspiration for artists such as Francis Bacon, Willem de Kooning and Georg Baselitz, who are all represented in Louisiana's collection. His name is often mentioned when contemporary artists are asked to point to their artistic role model.\u003c\/p\u003e\n\u003cp\u003eChaïm Soutine grew up in extreme poverty in a Jewish Orthodox family and knew at an early age that he wanted to be an artist and, despite his parents' great misgivings, was allowed to receive drawing lessons in Minsk.\u003c\/p\u003e\n\u003cp\u003eHere, as a very young man, he painted a portrait of a man, which went against the orthodox canon, and Soutine was attacked and mistreated by the man's sons. The parents managed to get compensation for the assault paid out, and with this amount Soutine was able to go to Vilnius and enroll in the city's art school.\u003c\/p\u003e\n\u003cp\u003eIn 1913 he went to Paris, then the capital of the European avant-garde and a meeting point for many voluntarily and involuntarily exiled artists – especially from Eastern Europe. Although the metropolis was his second home, he remained an outsider throughout his life.\u003c\/p\u003e\n\u003cp\u003eThe first many years in Paris were characterized by hunger and poverty. Only in 1922-1923 did Soutine achieve a sudden and completely unexpected form of recognition, when the American collector Albert C. Barnes acquired no less than 52 of his works. This led to an improvement in Soutine's financial circumstances, but it did little to change his restless and shy nature – he constantly changed lodgings, formed few close relationships, spoke French poorly and was described as odd.\u003c\/p\u003e\n\u003cp\u003eOn the whole, we know very little about him as a person. He left behind very few drawings and sketches and no notes, kept no diary and only wrote a few cards and letters. As stateless and Jewish, his existence became extremely uncertain when the Germans entered and occupied Paris in 1940. Soutine lived more or less in hiding and on the run in his last years. When he finally ventured back to Paris in 1943 for surgery on a bleeding stomach ulcer, it was too late.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":47716362649941,"sku":"113448","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/files\/113448-Soutine-Naturemorteauxharengs_Stillebenmedsild_1915-1916.jpg?v=1705061712"},{"product_id":"haeckel-florideae-ocean-gron-2024","title":"Haeckel – Florideae Ocean – green (2024)","description":"\u003cp\u003e\u003cspan\u003eLouisiana poster with the work \u003cem\u003eFloridae Ocean\u003c\/em\u003e (2024) by the German biologist and philosopher Ernest Haeckel, published in connection with the exhibition HAVET in the fall of 2024. The posters are printed on Sirio Pearl Oyster Shell, which gives them a fine mother-of-pearl effect. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"\" class=\"text-manchet grid mb4 mb5-xl\"\u003e\n\u003cp class=\"ts-manchet text-manchet__content\"\u003e\u003cspan\u003eThe poster is based on the work \u003cem\u003eNature's Forms of Art\u003c\/em\u003e (1899-1904) by the German zoologist Ernst Haeckel. Haeckel's work is a unique blend of scientific investigation, speculation and artistic creation. Today we know him especially for his beautiful drawings of single-celled organisms, fungi, plants and animals, in which he artfully idealizes the symmetrical forms of nature.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"ts-manchet text-manchet__content\"\u003eThe OCEAN was Louisiana’s major event of the season (2024). A journey of discovery above and below the surface, where history and the present meet at the intersection of art and science. We know more about the surface of Mars than about the world’s oceans, which cover more than 70% of our own planet.\u003c\/p\u003e\n\u003cp class=\"ts-manchet text-manchet__content\"\u003e\u003cspan\u003ePlease note that the mother-of-pearl effect cannot be seen in this image.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":49513482158421,"sku":"115726","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/files\/115727HaeckelLouisianaPlakatGronHavetUdstilling-med-ramme.jpg?v=1726822637"},{"product_id":"haeckel-crinoideae-bla-ocean-2024","title":"Haeckel – Crinoideae blue – Ocean (2024)","description":"\u003cp\u003e\u003cspan\u003eLouisiana poster with the work \u003cem\u003eChrinoideae\u003c\/em\u003e (2024) by the German biologist and philosopher Ernest Haeckel, published in connection with the exhibition OCEAN in autumn 2024. The posters are printed on Sirio Pearl Oyster Shell, which gives them a nice mother-of-pearl effect.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"\" class=\"text-manchet grid mb4 mb5-xl\"\u003e\n\u003cp class=\"ts-manchet text-manchet__content\"\u003eThe source for the poster comes from the work \u003cem\u003eNature's Art Forms\u003c\/em\u003e (1899-1904) by the German zoologist Ernst Haeckel. Haeckel's work is a peculiar mixture of scientific investigation, speculation and artistic creation. Today, we know him especially for his beautiful drawings of single-celled organisms, fungi, plants and animals, where he artfully idealizes the symmetrical forms of nature. OCEAN is the big Louisiana event of the season. A journey of discovery above and below the surface, where history and the present meet in an intersection between art and science. We know more about the surface of Mars than we do about the oceans that cover more than 70% of our own planet.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOCEAN is conceived as a large, thematic exhibition, where myths, history and the present merge. And where art, culture and science meet. The exhibition will take up the entire South Wing of the museum and consist of three general themes: 1) The ocean between art and science, 2) The sublime and mythological ocean and 3) The anthropocene ocean.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u0026nbsp;Note that the mother-of-pearl effect cannot be seen in this image.\u003cspan\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":49513482191189,"sku":"115727","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/files\/115727HaeckelLouisianaPlakatBlaHavetUdstilling-med-ramme.jpg?v=1726822335"},{"product_id":"haeckel-ammonitida-orange-ocean-2024","title":"Haeckel – Ammonitida orange – Ocean (2024)","description":"\u003cp\u003e\u003cspan\u003eLouisiana poster with the work \u003cem\u003eAmmonitida\u003c\/em\u003e (2024) by the German biologist and philosopher Ernest Haeckel, published in connection with the exhibition OCEAN in autumn 2024. The posters are printed on Sirio Pearl Oyster Shell, which gives them a nice mother-of-pearl effect.\u003cbr\u003e\u003cbr\u003eThe source for the poster comes from the work \u003cem\u003eNature's Art Forms\u003c\/em\u003e (1899-1904) by the German zoologist Ernst Haeckel. Haeckel's work is a peculiar mixture of scientific investigation, speculation and artistic creation. Today, we know him especially for his beautiful drawings of single-celled organisms, fungi, plants and animals, where he artfully idealizes the symmetrical forms of nature.\u003cbr\u003e\u003cbr\u003eThe OCEAN was Louisiana’s major event of the season (2024). A journey of discovery above and below the surface, where history and the present meet at the intersection of art and science. 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The posters are printed on Sirio Pearl Oyster Shell, which gives them a nice mother-of-pearl effect.\u003cbr\u003e\u003cbr\u003eThe source for the poster comes from the work \u003cem\u003eNature's Art Forms\u003c\/em\u003e (1899-1904) by the German zoologist Ernst Haeckel. Haeckel's work is a peculiar mixture of scientific investigation, speculation and artistic creation. Today, we know him especially for his beautiful drawings of single-celled organisms, fungi, plants and animals, where he artfully idealizes the symmetrical forms of nature. \u003cbr\u003e\u003cbr\u003eOCEAN was the big Louisiana event of the season (2024). A journey of discovery above and below the surface, where history and the present meet in an intersection between art and science. We know more about the surface of Mars than we do about the oceans that cover more than 70% of our own planet.\u003cbr\u003e\u003cbr\u003eNote that the mother-of-pearl effect cannot be seen in this image.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":49513482289493,"sku":"115729","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/files\/115729HaeckelLouisianaPlakatKoralHavetUdstilling-med-ramme.jpg?v=1726823526"},{"product_id":"anna-atkins-cystoseira-fibrosa","title":"Anna Atkins – Cystoseira fibrosa (1843-1853)","description":"\u003cp\u003eLouisiana Poster with the work \u003cem\u003eCystoseira fibrosa\u003c\/em\u003e 1843-1853 by Anna Atkins, published in connection with this autumn's major exhibition THE SEA (2024).\u003cbr\u003e\u003cbr\u003eWe know more about the surface of Mars than we do about the oceans that cover more than 70% of our own planet. 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The exhibition will take up the entire South Wing of the museum and consist of three general themes: 1) The ocean between art and science, 2) The sublime and mythological ocean and 3) The anthropocene ocean.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":49632495829333,"sku":"115884","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/files\/AtkinsSargassumplumosumLouisianaPlakat-med-ramme.jpg?v=1728032176"},{"product_id":"anna-atkins-dictyota-atomariasum","title":"Anna Atkins – Dictyota atomaria (1843-1853)","description":"\u003cp\u003eLouisiana Poster with the work \u003cem\u003eDictyota atomaria\u003c\/em\u003e 1843-1853 by Anna Atkins, published in connection with the autumn's large exhibition\u0026nbsp;OCEAN (2024).\u003cbr\u003e\u003cbr\u003eWe know more about the surface of Mars than we do about the oceans that cover more than 70% of our own planet. But the more we dive below the surface, the more incredible things emerge. And if we find the picture atlas of the imagination, we are literally flooded with imaginations, stories and fantastic creatures.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOCEAN is the big Louisiana event of the season. A journey of discovery above and below the surface, where history and the present meet in an intersection between art and science. We know more about the surface of Mars than we do about the oceans that cover more than 70% of our own planet.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOCEAN is conceived as a large, thematic exhibition, where myths, history and the present merge. And where art, culture and science meet. 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But the more we dive below the surface, the more incredible things seem to emerge. And in the realm of our imagination, we are literally flooded with images, stories and fantastic creatures.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOCEAN is the big Louisiana event of the season. A journey of discovery above and below the surface, where history and the present meet in an intersection between art and science. We know more about the surface of Mars than we do about the oceans that cover more than 70% of our own planet.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOCEAN is conceived as a large, thematic exhibition, where myths, history and the present merge. And where art, culture and science meet. The exhibition will take up the entire South Wing of the museum and consist of three general themes: 1) The ocean between art and science, 2) The sublime and mythological ocean and 3) The anthropocene ocean.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":49632495993173,"sku":"115887","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/files\/AtkinsRhodomenialaciniataLouisianaPlakat-med-ramme.jpg?v=1728031585"},{"product_id":"bornehuset-ragnar-kjartansson","title":"Ragnar Kjartansson – Louisiana Children's House anniversary poster","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAnniversary poster with motif created by Ragnar Kjartansson, published on the occasion of Louisiana Children's Home's 30th anniversary.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWith his lovingly critical view of Western culture, his musicality, humor and sense of the tragicomic, the Icelandic artist, Ragnar Kjartansson (b. 1976), has long since established himself as one of the most interesting voices in contemporary art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan\u003eLouisiana's exhibition with the artist in the fall of 2023 was the first comprehensive solo presentation in Scandinavia, unfolding his work across media and genres.\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":49913582190933,"sku":"116572","price":99.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/files\/LouisianaBornehusplakatRagnarKjartansson-med-ramme.jpg?v=1732192664"},{"product_id":"blaschkas-blaeregople-a2-havet","title":"Blaschka's bladder jellyfish A2 - The Sea","description":"\u003cp\u003e Poster with the work \u003cem\u003ePhysophora myzonema. Siphonophore, Glass\u003c\/em\u003e , 1860-1890, by Leopold \u0026amp; Rudolf Blaschka, published in connection with this autumn's major exhibition THE SEA (2024).\u003c\/p\u003e\n\n\u003cdiv class=\"text-manchet grid mb4 mb5-xl\" id=\"\"\u003e\n\n \u003cp class=\"ts-manchet text-manchet__content\"\u003eWe know more about the surface of Mars than we do about the oceans that cover more than 70% of our own planet. But the deeper we delve beneath the surface, the more incredible things emerge. And when we uncover the pictorial atlas of the imagination, we are literally inundated with imaginations, stories, and fantastic creatures.\u003cbr\u003e\u003cbr\u003e THE SEA takes the form of a large, thematic exhibition where myths, history and the present merge. And where art, culture and science meet. The exhibition fills the entire South Wing of the museum and consists of three overarching themes: 1) The Sea between art and science, 2) The sublime and mythological sea and 3) The Anthropocene sea.\u003cbr\u003e\u003cbr\u003e \u003cspan\u003eThe exhibition opens with an exploration of art and cultural objects that lie at the intersection of aesthetics and science, such as Anna Atkins's blueprints of seaweed, Emilija Škarnulytė's art films from the depths of the Gulf of Mexico, or Leopold and Rudolf Blaschka's incredible glass models of marine invertebrates.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":50194587287893,"sku":"116806","price":199.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/files\/HavetLouisianaPlakat.jpg?v=1728306625"},{"product_id":"louise-bourgeois-samling","title":"Louise Bourgeois – Dyssemmétrie","description":"\u003cp\u003eLouisiana poster featuring the work \u003cem data-end=\"50\" data-start=\"36\"\u003eDyssemmétrie\u003c\/em\u003e (2002) by the French-American artist Louise Bourgeois (b. 1911), presented by Louisiana in the special exhibition \u003cem data-end=\"181\" data-start=\"165\"\u003eTo Look Closer\u003c\/em\u003e (2025), as part of the exhibition series \u003cem data-end=\"243\" data-start=\"223\"\u003eLouisiana in Paper\u003c\/em\u003e. Louise Bourgeois’ works have been exhibited at Louisiana several times and are represented in the museum’s collection.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe selection is divided into 22 groupings that range widely in form, style, expression and tone. The focus of a grouping could be on the significance of adding a horizon line to an image, or on how male desire shines through – more or less obviously – through the choice of subject.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":50705586356565,"sku":"117687","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/files\/LouiseBourgeois-Untitled.jpg?v=1746442615"},{"product_id":"gabriele-munter-lady-in-an-armchair-louisiana-plakat","title":"Gabriele Munter – Lady in an armchair","description":"\u003cp\u003e\u003cspan\u003ePoster with the work, \u003cem\u003eLady in an armchair\u003c\/em\u003e , by the German artist, Gabriele Münter (1877-1962). In 2018, Louisiana's exhibition featured Gabriele Münter, who was one of the most important German impressionists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e Before Gabriele Münter began painting, she had already started taking photographs around 1900 – the first time on a trip to the USA. With the camera in hand, she began to capture and preserve \"the world\", but soon she began to paint almost daily and continued on that path throughout her life.\u003c\/p\u003e\n\u003cp\u003e Gabriele Münter was an open and experimental artist with an international network and an extensive exhibition activity. During World War I, she lived in Stockholm and in Copenhagen, where in 1918 she had her artistic breakthrough with her first major solo exhibition at Den Frie in Copenhagen with 100 paintings, 20 stained glass windows, etchings and murals.\u003c\/p\u003e\n\u003cp\u003e In his 60-year artistic career, he created\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eGabriele Münter\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eover 2000 paintings, several thousand drawings, watercolors, stained glass, graphic magazines and around 1200 photographs.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":51938062631253,"sku":"119145","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/files\/GabrieleMunterLadyinarmchairA2.jpg?v=1765267911"},{"product_id":"japan-pa-louisiana-louisiana-plakat","title":"Japan on Louisiana (1974)","description":"\u003cp\u003eExhibition poster from Louisiana's exhibition, Japan at Louisiana, in 1974. With over 200 different works by 37 contemporary Japanese artists, Louisiana's exhibition of modern Japanese art was by far the largest outside of Japan at the time of the exhibition in 1974.\u003c\/p\u003e\n\u003cp\u003e Of all foreign cultures, the Japanese one is probably the one that has had the most profound impact on the sensibility of the Western world for more than a hundred years, says Louisiana Revy in a foreword to the exhibition.\u003c\/p\u003e\n\u003cp\u003e Japanese woodcuts influenced European painting with their flat painting and bold cuts of the motif, and the ink art of Zen art influenced American and European art in the 1950s and 1960s.\u003c\/p\u003e\n\u003cp\u003e Modern architects in the West are indebted to their Japanese colleagues, whose sense of materials, intimacy and human proportions fascinated and were incorporated. For example, the Japanese modular system, which several of Louisiana's own buildings also express – a line of thinking that was fully developed by architects of the Bauhaus generation in particular.\u003c\/p\u003e\n\u003cp\u003e And the influence and inspiration went both ways. Both European painters and architects sent strong influences back to Japanese painting and architecture. 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The exhibition presents more than 120 works by over 70 artists from around the world.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e \u003cspan\u003eTal R has been one of the most significant Danish artists of his generation since the 1990s and is today richly represented in Louisiana's collection. Tal R made his debut at Louisiana in 1997 and almost had a popular breakthrough with the museum's retrospective exhibition, \u003cem\u003eThe Sum\u003c\/em\u003e , in 2007. In 2017, Louisiana opened the first comprehensive presentation of the artist's works, created over the, at the time, past 20 years.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":51938062762325,"sku":"119150","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/files\/TalRfogoverA2tilShopify.jpg?v=1764244196"},{"product_id":"arne-jacobsen-skovshoved-tankstation","title":"Arne Jacobsen – Skovshoved gas station","description":"\u003cp\u003e\u003cspan\u003eExhibition poster with drawing of \u003cem\u003eSkovshoved Gas Station,\u003c\/em\u003e (1937), published in connection with the Arne Jacobsen exhibition at Louisiana in 2002, on the occasion of the world-famous architect's 100th birthday. The exhibition was a retrospective tribute to the architect and his modernist design and furniture art - here exemplified by the striking gas station at Skovshoved Harbour, north of Copenhagen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"font-weight: 400;\"\u003eArne Jacobsen's gas station at Kystvejen 24 was built in 1937 in connection with the construction of the new coastal road around Tårbæk and Skovshoved.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"font-weight: 400;\"\u003eThe gas station is built in Jacobsen's well-known functionalist style and is now listed. It is particularly known for its striking round roof, which both provides shade from the sun and reflects light from the lamps on the central column and the building - in the same way as today's \"up-lights\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cspan style=\"font-weight: 400;\"\u003eThe shape of the roof also sends a clear nod to the contours of one of Arne Jacobsen's chairs, the design classic, The Ant, which Jacobsen designed much later, in 1952.\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":51938062827861,"sku":"119144","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/files\/AJSkovshovedtankstationA2.jpg?v=1765266798"},{"product_id":"arne-jacobsen-fremtidens-hus","title":"Arne Jacobsen – The House of the Future (1929) A2 format","description":"\u003cp\u003eExhibition poster with a drawing of \u003cem\u003ethe House of the Future,\u003c\/em\u003e (1929), published in connection with the Arne Jacobsen exhibition at Louisiana in 2002 on the occasion of the world-famous architect's 100th birthday. The exhibition was a retrospective tribute to the architect and his modernist design and furniture art, and \u003cem\u003ethe House of the Future\u003c\/em\u003e was Jacobsen's breakthrough as an architect.\u003c\/p\u003e\n\u003cp\u003e Arne Jacobsen designed the House of the Future in 1929 together with Flemming Lassen, and the futuristic house was presented - and became a winning project and a crowd magnet - at a large construction and housing fair in Forum in Frederiksberg, the same year.\u003c\/p\u003e\n\u003cp\u003e The house is designed in the Jacobsen tradition as a functional one, expressing man's control over the elements of air, earth and water - with easy access to the house by car, boat - and a helicopter on the roof. 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The poster is delivered ready-framed with a matte laminated surface that significantly reduces reflections from light sources compared to regular glass, creating a beautiful and calm visual expression without glare. The frame is made of oak veneer.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe exhibition is set to be the first comprehensive showing devoted to the artist's depictions of the human head, including many works that the artist chose to keep to himself during his lifetime.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOccupying a position as an icon, myth and outright brand, Basquiat long ago burst out of the narrow confines of art history to become a ubiquitous global phenomenon: a young Black artist who broke through in a blitz of heads, bodies and potent symbols, only to vanish again at the age of 27. 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The poster is delivered ready-framed with a matte laminated surface that significantly reduces reflections from light sources compared to regular glass, creating a beautiful and calm visual expression without glare. The frame is made of oak veneer.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe exhibition is set to be the first comprehensive showing devoted to the artist's depictions of the human head, including many works that the artist chose to keep to himself during his lifetime. \u003c\/span\u003e\u003cspan\u003eOccupying a position as an icon, myth and outright brand, Basquiat long ago burst out of the narrow confines of art history to become a ubiquitous global phenomenon: a young Black artist who broke through in a blitz of heads, bodies and potent symbols, only to vanish again at the age of 27. 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The poster is delivered ready-framed with a matte laminated surface that significantly reduces reflections from light sources compared to regular glass, creating a beautiful and calm visual expression without glare. The frame is made of oak veneer.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe exhibition is set to be the first comprehensive showing devoted to the artist's depictions of the human head, including many works that the artist chose to keep to himself during his lifetime. \u003c\/span\u003e\u003cspan\u003eOccupying a position as an icon, myth and outright brand, Basquiat long ago burst out of the narrow confines of art history to become a ubiquitous global phenomenon: a young Black artist who broke through in a blitz of heads, bodies and potent symbols, only to vanish again at the age of 27. Since then, the mythology surrounding his life and work has only grown stronger; today it lives a life of its own in popular culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAmidst Basquiat’s explosive, expressive output, there is also a group of works – drawings in oilstick on paper, mainly from the period 1981-1983 – which revolve around the head as a motif and which are almost devoid of the symbols and text that are otherwise so characteristic of his practice.\u0026nbsp;Basquiat kept these works to himself, and they remained virtually unknown to the public during his lifetime. The heads were not preparatory studies for paintings or works in other media. They are works in their own right, and thus invite reflection on Basquiat’s overall practice.\u003c\/p\u003e\n\u003cdiv id=\"\" is=\"\" class=\"text-wysiwyg grid-container  scroll-trigger scroll-element\" data-bound=\"true\"\u003e\n\u003cdiv class=\"text-wysiwyg__wrapper\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":52778832134485,"sku":"119958","price":649.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/files\/Louisiana_Opklaeb_Basquiat_Untitled_Bust_1984.jpg?v=1772544227"},{"product_id":"opklaeb-tal-r-fog-over-malia-bay","title":"Anti-Reflectiv Glass – Tal R – Fog over Malia Bay","description":"\u003cp\u003ePoster with anti-reflective framing of the work \u003cem\u003eFog over Malia Bay\u003c\/em\u003e by Danish artist Tal R, released in connection with the exhibition \u003cem\u003eLouisiana New Works\u003c\/em\u003e (2025). The poster is delivered ready-framed with a matte laminated surface that significantly reduces reflections from light sources compared to regular glass and provides a beautiful, calm visual expression without glare. The frame is made of oak veneer.\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSince the 90s, Tal R has been one of his generation's most prominent Danish artists and is today richly represented in Louisiana's collection. Tal R debuted at Louisiana in 1997 and had something close to a popular breakthrough with the museum's retrospective exhibition, \u003cem\u003eThe Sum\u003c\/em\u003e, in 2007. In 2017, Louisiana opened the first comprehensive presentation of the artist's works, created over the previous 20 years at that time.\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":53158468813141,"sku":"120016","price":649.0,"currency_code":"DKK","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/files\/TalR-FogoverMaliaBay.jpg?v=1776252830"},{"product_id":"lucian-freud-daffodils-and-celery-1946","title":"Lucian Freud – Daffodils and Celery 1946","description":"\u003cp\u003eLouisiana Poster featuring the work \u003cem\u003eDaffodils and Celery\u003c\/em\u003e (1946) by the British artist Lucian Freud, published in connection with the exhibition \u003cem\u003eEverything is a Portrait\u0026nbsp;\u003c\/em\u003e(11 June).\u003cstrong\u003e \u003c\/strong\u003eLucian Freud (1922-2011)\u003cspan\u003e\u0026nbsp;\u003c\/span\u003e\u003cspan\u003eachieved recognition as one of the 20th century’s foremost figurative painters. The\u0026nbsp;exhibition focuses on his lifelong preoccupation with the human face and figure. Exploring the artist's supreme mastery of drawing in all its forms – from pencil, pen, and ink to charcoal and etching on paper – the show also highlights the special dialogue between Freud's drawings and his painting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"575\" data-end=\"869\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eA carefully selected group of important paintings reveals the dynamic relationship between his work on paper and on canvas. Together with archival research and previously unseen material, \u003cem data-start=\"763\" data-end=\"795\"\u003eLucian Freud – All Is Portrait\u003c\/em\u003e will also include works that are being shown publicly for the first time.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":53956021485909,"sku":"120455","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/files\/LucianFreud-DaffodilsandCeleryA2.jpg?v=1780397920"}],"url":"https:\/\/butik.louisiana.dk\/en-eu\/collections\/a2-plakater.oembed?page=4","provider":"Louisiana Design Butik","version":"1.0","type":"link"}