{"title":"Posters for autumn","description":"","products":[{"product_id":"yves-klein-untitled-1962-plakat","title":"Yves Klein – Fire Color - fc 17 (1962)","description":"\u003cp\u003eLouisiana poster with the work, \u003cem\u003eFire Colour - fc 17\u003c\/em\u003e , (1962) by the French artist, Yves Klein, (1928-1962). Klein is one of the great figures in modern art - and represented in the Louisiana collection. Despite his untimely death at the age of 34, Klein became a leading figure in the movement, 'Nouveau réalisme', a pioneer in performance art and a role model for later artistic movements such as 'minimal art' and 'pop art'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFire Colour - fc 17\u003c\/em\u003e , which is the model for the poster here, is from Klein's last year of life. A few years before, Klein created one of his absolute main works, which is in the museum's collection: \u003cem\u003eMonopink, Monogold, Monoblue\u003c\/em\u003e (1960): The three, equal-sized - almost - monochromatic paintings in pink, gold and blue, which are often hung as a triptych - one work in three parts - even though they are actually three independent pictures.\u003c\/p\u003e\n\u003cp\u003eKlein became famous for the blue color that has since borne his name: International Klein Blue. Klein tried to patent the binder in the color that allows it to appear with this diffuse infinity, both slightly dusty, intangible - and at the same time precise and strong.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32094478041168,"sku":"101625","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/YvesKleinFireColour1962LouisianaPlakat.jpg?v=1673345290"},{"product_id":"william-kentridge-page-2017-louisiana-plakat","title":"William Kentridge – Page (2017)","description":"\u003cp\u003eLouisiana poster with the work, \u003cem\u003ePage\u003c\/em\u003e , (2017), by South African artist, William Kentridge, (b. 1955). The poster was released in connection with Louisiana's 2017 exhibition of Kentridge's drawings, films and installations – including the installation, \u003cem\u003eThe Refusal of Time,\u003c\/em\u003e (2012), which is part of the museum's collection. Over 25 years ago, Kentridge made a name for himself as an artist with his short animated films that dealt with the problematic history of apartheid in his homeland. Using a characteristic \u003cem\u003estop-motion\u003c\/em\u003e technique based on his charcoal drawings, which are still his hallmark, he brings his drawings to life before the viewer's eyes, so that we can follow how the drawing is created.\u003c\/p\u003e\n\u003cp\u003eLouisiana's 2017 exhibition focused on a series of the artist's late works from the period 2003-2016, which in their anatomy mark a new breakthrough in Kentridge's oeuvre. A lifelong enthusiasm for theatre, opera, literature, film and music has culminated over the past 15 years in a series of virtuoso installations, where the aforementioned art forms are connected through moving images, words, music and scenography. The stage is set, so to speak.\u003c\/p\u003e\n\u003cp\u003eAt the heart of Kentridge's work is man: the colonized, regulated, oppressed, fleeing or dreaming man. With great humor, empathy and poetry, the works depict how man navigates the world, and how we are strongly influenced by and subject to mapping, the concept of time and ideology.\u003c\/p\u003e\n\u003cp\u003e\u0026nbsp;\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32094628479056,"sku":"101868","price":479.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/84x115_8WilliamKentridge.jpg?v=1675174174"},{"product_id":"marsden-hartley-leaves-1929-louisiana-plakat","title":"Marsden Hartley – Leaves (1929)","description":"\u003cp\u003e\u003cspan\u003eLouisiana poster with work\u003c\/span\u003e by American artist Marsden Hartley, \u003cem\u003eLeaves,\u003c\/em\u003e (1929) \u003cem\u003e.\u003c\/em\u003e Although Marsden Hartley \u003cspan\u003e(1877-1943)\u003c\/span\u003e has been called \"America's first great modern painter of the 20th century\", his original work has long been overlooked. Louisiana presented him in 2019 at the first retrospective exhibition in Europe in over 60 years.\u003c\/p\u003e\n\u003cp\u003eMarsden Hartley was both a painter and a poet and lived much of his life as a nomad between Europe and the United States, and his work can be considered a bridge between European and American modernism.\u003c\/p\u003e\n\u003cp\u003eHartley's many travels resulted in a series of deeply original groups of works from 1906 to 1943. Among these are abstract paintings based on military symbols from the horrors of World War I, almost surreal landscapes from New Mexico, and feminized figure paintings of muscular workers.\u003c\/p\u003e\n\u003cp\u003eStill lifes and close-ups - like here - of, for example, flowers, leaves, fish and shells are among the recurring motifs in his work.\u003c\/p\u003e\n\u003cp\u003eMarsden Hartley was centrally placed in the art world both in Europe and at home. Nevertheless, Hartley's art has been largely unknown - perhaps because of the multifaceted nature of his work, which has made it difficult to place him in art history.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Louisiana exhibition was one of the largest presentations of Marsden Hartley's art. With over 110 paintings, the exhibition encompassed the artist's entire oeuvre, including his work as a poet and essayist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003ePlease note that a frame is not available for this poster.\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32094644895824,"sku":"102033","price":479.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/102033-MarsdenHartley-Leaves_1929udenramme.jpg?v=1585773960"},{"product_id":"marsden-hartley-mont-saint-victoire-1927-louisiana-plakat","title":"Marsden Hartley – Mont Saint-Victoire (1927)","description":"\u003cp\u003eLouisiana Poster with work by the American artist, Marsden Hartley \u003cspan\u003e,\u003c\/span\u003e \u003cspan\u003e(1877-1943), \u003cem data-mce-fragment=\"1\"\u003eMont Saint-Victoire\u003c\/em\u003e , (1927)\u003c\/span\u003e \u003cem\u003e.\u003c\/em\u003e Although Marsden Hartley has been called \"America's first great modern painter of the 20th century\", his original work has long been overlooked. \u003cspan data-mce-fragment=\"1\"\u003eLouisiana presented him in 2019 at the first retrospective exhibition in Europe in over 60 years\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMarsden Hartley was both a painter and a poet and lived much of his life as a nomad between Europe and the United States, and his work can be considered a bridge between European and American modernism.\u003c\/p\u003e\n\u003cp\u003eHis many travels resulted in a series of deeply original work groups from 1906 to 1943. Among these are abstract paintings based on military symbols from the horrors of World War I, almost surreal landscapes from New Mexico, and feminized figure paintings of muscular workers.\u003c\/p\u003e\n\u003cp\u003eIn his wandering, restless life as an artist, Hartley often changed completely his direction and artistic style. In \u003cem\u003eMont Saint-Victoire\u003c\/em\u003e he clearly resembles the great French master, Cézanne, who painted this particular mountain into the art historical canon.\u003c\/p\u003e\n\u003cp\u003eMarsden Hartley was centrally placed in the art world both in Europe and at home. Nevertheless, Hartley's art has been largely unknown - perhaps because of the multifaceted nature of his work, which has made it difficult to place him in art history.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Louisiana exhibition was one of the largest presentations of Marsden Hartley's art. With over 110 paintings, the exhibition encompassed the artist's entire oeuvre, including his work as a poet and essayist.\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32094703976528,"sku":"102035","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/68x59_4MarsdenHartleyMontSaint-Victoire.jpg?v=1675252477"},{"product_id":"marsden-hartley-elsa-kobenhavn-1916-louisiana-plakat","title":"Marsden Hartley – Elsa Copenhagen (1916)","description":"\u003cp\u003eLouisiana Poster with the work, \u003cem data-mce-fragment=\"1\"\u003eElsa Kobenhavn,\u003c\/em\u003e (1916)\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003eby the American artist, Marsden Hartley (1877-1943). \u003cspan\u003eAlthough Marsden Hartley has been called \"America's first great modern painter of the 20th century\", his original work has long been overlooked. In 2019, Louisiana presented him at the first retrospective exhibition in Europe in over 60 years – an exhibition that was an eye-opener for most.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMarsden Hartley was both a painter and a poet, and spent much of his life as a nomad between Europe and the United States. Although he was almost always on the move, he never came to Copenhagen. The painting here is a geometrically inspired depiction of a Danish ship at anchor in Boston harbor.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHartley's many travels resulted in a series of deeply original groups of works from 1906 to 1943\u003c\/span\u003e - works that can be seen as a bridge between European and American modernism.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAmong the works are abstract paintings based on military symbols from the horrors of World War I, almost surreal landscapes from New Mexico, and feminized figure paintings of muscular workers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMarsden Hartley was centrally placed in the art world both in Europe and at home. Nevertheless, Hartley's art has been largely unknown - perhaps because of the multifaceted nature of his work, which has made it difficult to place him in art history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Louisiana exhibition was one of the largest presentations of Marsden Hartley's art. With over 110 paintings, the exhibition encompassed the artist's entire oeuvre, including his work as a poet and essayist.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32094713774160,"sku":"102036","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/marsdenHartleyElsaplakatweb.jpg?v=1615905103"},{"product_id":"giacometti-femme-cuillere-louisiana-plakat","title":"Alberto Giacometti – Femme cullière (1927)","description":"\u003cp\u003eLouisiana poster with the work, \u003cem\u003eFemme Cullière\u003c\/em\u003e (1927), by the Swiss artist, \u003cspan\u003eAlberto Giacometti (1901-1966).\u003c\/span\u003e Giacometti is a main character in the story of Louisiana and \u003cem\u003ethe Lady\u003c\/em\u003e is central to that story, among the artist's many other iconic works at the museum.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAfter naturalistic portrait busts and painting, Giacometti in his early period worked in the form scheme of Cubism and from this derives, \u003cem\u003eThe Woman\u003c\/em\u003e . You see how Giacometti, like many artists in Paris at this time – e.g. Picasso – is also influenced by African culture and the visual world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAlberto Giacometti belongs to the group artists who have influenced art in the 20th century. Louisiana's collection of Giacometti figures is large, also internationally, and it is probably the interaction between Giacometti's figures and the museum's architecture that seems so special - and recognizable - to many of the museum's guests.\u003c\/p\u003e\n\u003cp\u003eGiacometti's vision is characterized by a deep feeling for the basic human conditions – the isolation and loneliness of each being. His works open up when you make time for it, and at Louisiana, Giacometti's sculptures almost become a commentary on the museum visit itself – they are, after all, a kind of people in the rooms.\u003c\/p\u003e\n\u003cp\u003eIn both Giacometti's many busts and in the fully developed figures, it is the face that counts. The body is there, but it is not the main thing. It's the head. The gaze. As if the situation has been reversed and it is the sculptures that are looking at us.\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003ePlease note that a frame is not available for this poster.\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32094868865104,"sku":"102791","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/102791-Femmecuillere-Ingen-Ramme.jpg?v=1585697484"},{"product_id":"arne-jacobsen-fremtidens-hus-louisiana-plakat","title":"Arne Jacobsen – House of the Future (1929)","description":"\u003cp\u003eExhibition poster with a drawing of \u003cem\u003ethe House of the Future,\u003c\/em\u003e (1929), published in connection with the Arne Jacobsen exhibition at Louisiana in 2002 on the occasion of the world-famous architect's 100th birthday. The exhibition was a retrospective tribute to the architect and his modernist design and furniture art, and \u003cem\u003ethe House of the Future\u003c\/em\u003e was Jacobsen's breakthrough as an architect.\u003c\/p\u003e\n\u003cp\u003eArne Jacobsen designed the House of the Future in 1929 together with Flemming Lassen, and the futuristic house was presented - and became a winning project and a crowd magnet - at a large construction and housing fair in Forum in Frederiksberg, the same year.\u003c\/p\u003e\n\u003cp\u003eThe house is designed in the Jacobsen tradition as a functional one, expressing man's control over the elements of air, earth and water - with easy access to the house by car, boat - and a helicopter on the roof. The House of the Future is free of superfluities and is completely clean, focusing on the function of the building itself, as a kind of \"living machine\".\u003c\/p\u003e\n\u003cp\u003eThe House of the Future is referred to as Arne Jacobsen's breakthrough as an architect with a wider audience.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32094871978064,"sku":"11242","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/11242ArneJacobsenfremtidenshusnyfont.jpg?v=1643630741"},{"product_id":"wolfgang-tillmans-icestorm-2001-louisiana-plakat","title":"Wolfgang Tillmans – Icestorm (2001)","description":"\u003cp\u003eExhibition poster with the work, \u003cem\u003eIcestorm\u003c\/em\u003e , (2001), by the German-born photographer, Wolfgang Tillmans (b. 1968). The poster was published in connection with the exhibition with Tillmans at Louisiana in 2003. The work is in the Louisiana collection.\u003c\/p\u003e\n\u003cp\u003eTillmann's photographic work ranges between portraits, reportage, still life, landscape photography and darkroom experiments with the use of light, paper and liquids.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTillman's images, in all their diversity, reflect both a private view and a shared culture. By placing himself on the same level as the viewer in point of view and presentation, an accessibility arises that imperceptibly gives rise to dialogues where photographer, subject, medium and viewer are equal parties and together form new significant stories - shared and private.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32094878629968,"sku":"11247","price":499.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/117x146WolfgangTillmansViewfromAbove.jpg?v=1675247958"},{"product_id":"walton-ford-baba-louisiana-plakat","title":"Walton Ford – Baba-BG (1997)","description":"\u003cp\u003eLouisiana exhibition poster featuring the work, \u003cem\u003eBaba-BG,\u003c\/em\u003e (1997), by American artist Walton Ford (b. 1960), released in conjunction with Louisiana's 2010 Ford exhibition. Walton Ford paints watercolors populated with animals of all kinds that, in bestial wise either devour and fight each other, or are maimed by humans in a universe that is at once beautiful, unfathomable and grim. Louisiana's presentation of Ford was the first in Scandinavia.\u003c\/p\u003e\n\u003cp\u003eWalton Ford's works immediately resemble classic naturalistic, zoological illustrations from a bygone era, executed with the same technical perfection.\u003c\/p\u003e\n\u003cp\u003eBut on closer inspection, they are far from the objectivity aspired to by science and are rather strangely horrifying depictions of lust for power and evil, sometimes with a humorous angle.\u003c\/p\u003e\n\u003cp\u003eIn formats that reproduce animals in size one to one - which, among other things, results in works of 3 x 2 meters - and on a background of apparently old, yellowed watercolor paper, the artist unfolds his strange stories with shades of evil, now and then with a humorous angle .\u003c\/p\u003e\n\u003cp\u003eThe complexity and satirical undertone of the works cast a critical light on parts of our history and contemporary times, including ever-current issues such as industrialisation, colonization and man's impact on the environment.\u003c\/p\u003e\n\u003cp\u003eBut despite the fact that Ford's pictures often initiate a political or socially critical look at reality, his art is free of political correctness. His mission is something else, namely to tell stories where the adventurous is also allowed to exist.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32094906875984,"sku":"11441","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/WaltonFordBabaLouisianaplakat_03f216c9-ac26-43f2-ad20-aad68b4fa657.jpg?v=1675171663"},{"product_id":"poul-gernes-uden-titel-1964-prik-louisiana-plakat","title":"Poul Gernes – Untitled - dot (1966-68)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLouisiana poster with the work,\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003eUden Titel - prik\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003e, (1962-68), by the Danish artist, Poul Gernes (1925-1996). Gernes is one of the great Danish artists of the post-war generation and in many ways he became a pioneer in Denmark for a new perception of art and the role of the artist in society.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePoul Gernes did not strive for anyone to have art historical or intellectual knowledge in order to understand or interpret his works. What was really important was that people were happy and comfortable looking at and living with them – as is evident from his probably best-known works, the large, public decoration projects such as the Palads-biografen in Copenhagen and Herlev Hospital.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eToday, many associate Poul Gernes with this kind of cool aesthetic and colorful joy. But there is certainly also a confrontational and highly critical side to the artist.\u003c\/p\u003e\n\u003cp\u003ePoul Gernes emerged from the constructivist tradition, also politically, and at the beginning of the 1960s became a focal point for the Ex-School, the Experimental Art School (1961-1972), which at one stroke came to dominate not only the contemporary art scene, but also art history writing thereafter. New methods, new materials, a new perception of the role of art and the artist in society were on the agenda.\u003c\/p\u003e\n\u003cp\u003eWith their experimental attitude, the artists initiated a break-up on all fronts, and all of this unfolded precisely as Denmark was transitioning from a post-war society to a welfare state, with many new arrangements and experiments in the process. A period in which Louisiana also played a role.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32094931976272,"sku":"11529","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/11529-PoulGernesudentitel-Ingen-Ramme.jpg?v=1585700992"},{"product_id":"max-ernst-naissance-dune-galaxie-1969-louisiana-plakat","title":"Max Ernst – Naissance d'une Galaxie (1969)","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e Louisiana poster featuring the work, \u003cem\u003eNaissance d'une Galaxie - Birth of a Galaxy,\u003c\/em\u003e (1969), by German artist, Max Ernst, (1891-1976). Max Ernst's image is from the year of the moon landing in 1969, and was on loan to Louisiana's exhibition, The Moon \u003cspan data-mce-fragment=\"1\"\u003e– From the Inner World to Outer Space\u003c\/span\u003e , in 2018.\u003c\/p\u003e\n\u003cp\u003eThe exhibition featured up to 150 works about the moon, as one of our culture's great motifs, and drew a multifaceted portrait of Earth's natural satellite through art, film, music, literature, cultural historical objects, design, architecture, natural science and astronomy.\u003c\/p\u003e\n\u003cp\u003eAs the only celestial body whose surface can be seen with the naked eye from Earth, the Moon has fascinated artists and writers for centuries. Its round, white disk has been an open projection surface for myths, imaginations and dreams.\u003c\/p\u003e\n\u003cp\u003eWhen we look out into space, we also see ourselves – and the Moon becomes, as an absolute\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eotherness\u003c\/em\u003e , a mirror for the human. Here science and folk belief, fiction and technology, existential search and economic expansion drive meet.\u003c\/p\u003e\n\u003cp\u003eLouisiana's exhibition examined how seemingly contradictory cultural impulses are intertwined in the recent history of the Moon.\u003c\/p\u003e\n\u003cp\u003eBorn in Germany and later granted both American and French citizenship, Max Ernst was a leading figure in both the Dada and Surrealist movements, experimenting with and mastering a myriad of genres and techniques.\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32099542040656,"sku":"11614","price":479.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/11614-MaxErnst-Naissanced_uneGalaxie_1969-udenramme.jpg?v=1629296799"},{"product_id":"cecily-brown-girl-on-a-swing-2004-louisiana-plakat","title":"Cecily Brown – Girl on a Swing (2004)","description":"\u003cp\u003eExhibition poster with the work,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGirl on a swing,\u003c\/em\u003e (2004), by British painter, Cecily Brown (b. 1969).\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLouisiana presented Cecily Brown in 2018-2019 in a major exhibition that received widespread attention and was called “phenomenal” and “a scoop” by reviewers.Cecily Brown is considered one of the figures who has helped pave the way for the resurgence of painting in recent times.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBrown works with many current issues, including the dissolution of traditional gender roles, the politicized everyday life, and the restless, erotic energy of the times.\u003c\/p\u003e\n\u003cp\u003eDespite her light touch, she often draws inspiration for her world of motifs from human conflicts.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32099621142608,"sku":"11624","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/84x70CecilyBrownGirlonaswing.jpg?v=1673621048"},{"product_id":"gerhard-richter-1025-farben-louisiana-plakat","title":"Gerhard Richter – 1025 Farben (1974)","description":"\u003cp\u003eLouisiana poster with the work, \u003cem\u003e1025 Farben - 1025 colors,\u003c\/em\u003e (1974), by the German artist, Gerhard Richter (b. 1932). \u003cem\u003e1025 Farben\u003c\/em\u003e was featured in Louisiana's 2005 exhibition, Gerhard Richter - Image After Image, and is today a major work in Louisiana's collection.\u003c\/p\u003e\n\u003cp\u003eFew artists range as widely and are as diverse and different in their work and use of the countless possibilities of the image as Gerhard Richter. His starting point is often photography. Not because Richter wanted to be a photographer, but photography as a starting point for imaging.\u003c\/p\u003e\n\u003cp\u003eQuite ordinary color cards became a direct inspiration for Gerhard Richter throughout the 60s and 70s. Richter's color field paintings belong to the part of his work where he is interested in \u003cem\u003econstructing\u003c\/em\u003e images.\u003c\/p\u003e\n\u003cp\u003eAt first he used the color cards as a template, just like with the photos he had already worked intensively with. But gradually he developed a system, based on the principle of consistent coincidence - which also resonates here in \u003cem\u003e1025 Farben\u003c\/em\u003e .\u003c\/p\u003e\n\u003cp\u003eIncidentally, this also applies to a much later work, the almost infinitely long digital print, \u003cem\u003eStrip,\u003c\/em\u003e S\u003cem\u003etribe\u003c\/em\u003e from 2013, where stripes have replaced fields as a motif in a systematization of colors. Today, \u003cem\u003eStrip\u003c\/em\u003e is also in Louisiana's collection.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32099887644752,"sku":"11352","price":499.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/11352-GerhardRichter1025Farben-Ingen-Ramme.jpg?v=1585786410"},{"product_id":"per-kirkeby-uden-titel-2004-louisiana-plakat","title":"Per Kirkeby - Untitled (2004)","description":"\u003cp\u003eExhibition poster with the work, \u003cem\u003eUntitled,\u003c\/em\u003e (2004), by the world-renowned Danish artist, Per Kirkeby (1938-2018). The poster was published in connection with the Per Kirkeby exhibition at Louisiana in 2020. Per Kirkeby's works form one of the focal points of Louisiana's collection, and with this exhibition the museum offered a retrospective encounter with all the genres the artist has moved through.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eNo other Danish artist in the 20th century – perhaps with the exception of Asger Jorn – has explored the geography of art as broadly and deeply as Per Kirkeby.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWith his background as a trained geologist and later as a central member of the Danish artist group, Eks-skolen, Kirkeby has created an impressive body of work that covers virtually all genres: Poetry, writing, film, scenography, architecture, painting, sculpture and graphics.\u003c\/p\u003e\n\u003cp\u003eThe international recognition is indisputable – both in the wider art world and among artist colleagues, where Kirkeby in many respects today appears as an artist's artist.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003ePlease note that a frame is not available for this poster.\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32121346031696,"sku":"103552","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/PerKirkeby2004LouisianaPlakat.jpg?v=1665411470"},{"product_id":"edward-hopper-cape-cod-morning-1950-louisiana-plakat","title":"Edward Hopper – Jubilæumsplakat - Cape Cod Morning (1950)","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eAnniversary poster with the work, \u003cem\u003eCape Cod Morning,\u003c\/em\u003e (1950), by the American artist, Edward Hopper (1882–1967). The world seen through a window, as if to emphasize distance, the effective use of mood-creating light and shadow, and the bright and strong colors that are so characteristic of Hopper - all elements are repeated in this powerful image.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eEdward Hopper was not very well known in Denmark when Louisiana introduced him to the Danish audience in 1992. But that changed with the exhibition, which was a great success.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMost people are now familiar with the American artist's atmospheric and cinematic images, which are often permeated with loneliness, separation and an unresolved longing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe poster originates from Louisiana's exhibition with Edward Hopper in 1992 and the poster was reprinted in connection with Louisiana's 60th anniversary in 2018.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003ePlease note that a frame is not available for this poster.\u003cbr\u003e\u003cbr\u003eThe poster is printed on 170 gsm Munken Lynx paper, giving it a more matte surface finish.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32247117021264,"sku":"11611","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/11611Hopperweb.jpg?v=1614689981"},{"product_id":"wolfgang-paalen-cadran-lunaire-louisiana-plakat","title":"Wolfgang Paalen – Cadran Lunaire (1935)","description":"\u003cp\u003eLouisiana poster with the work, \u003cem\u003eCadran Lunaire\u003c\/em\u003e , (1935), by the Austrian-Mexican artist, Wolfgang Paalen, (1905-1959). Cadran Lunaire means lunar disk and the poster was released in conjunction with Louisiana's 2018 exhibition, The Moon – From the Inner World to Outer Space - one of the most ambitious and successful Louisiana ventures in recent times.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe exhibition showed up to 150 works about the Moon, as one of our culture's great motifs, and drew a multifaceted portrait of the Earth's natural satellite through art, film, music, literature, cultural-historical objects, design, architecture, natural science and astronomy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAs the only celestial body whose surface can be seen with the naked eye from Earth, the Moon has fascinated artists and writers for centuries. Its round, white disc has been an open projection surface for myths, imaginings and dreams.\u003c\/p\u003e\n\u003cp\u003eWhen we look out into space, we also see ourselves – and the Moon becomes, as an absolute \u003cspan\u003e'\u003c\/span\u003e otherness', a mirror for the human. Here, science and folklore, fiction and technology, existential quest and economic expansion meet.\u003c\/p\u003e\n\u003cp\u003eLouisiana's exhibit explored how seemingly conflicting cultural impulses intertwine in the Moon's recent history.\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32247145857104,"sku":"11618","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/WolfgangPaalen-CadranLunaire1935.jpg?v=1613131365"},{"product_id":"picasso-woman-with-hairnet-louisiana-plakat","title":"Pablo Picasso – Woman with hairnet (1949)","description":"\u003cp\u003eLouisiana poster featuring the work, \u003cem\u003eWoman with Hairnet,\u003c\/em\u003e (1949), by Spanish artist, Pablo Picasso, (1881-1973). Louisiana has a special relationship with Picasso and this beautiful lithograph from 1949 is part of Louisiana's collection, which also includes three distinguished paintings as well as drawings and other graphic prints by the iconic artist.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWith his versatile talent and his groundbreaking influence on a number of modern art's most central forms of expression, Picasso was an unparalleled guiding star for the international development of modernism.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eLouisiana's first major Picasso exhibition took place as early as 1968, and throughout its over 60-year history, Louisiana has held 6 more exhibitions featuring the great master – most recently, Picasso Ceramics, in 2018.\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32249341640784,"sku":"11587","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/11587-PiocassoWomanwithhairnetudenramme.jpg?v=1612976852"},{"product_id":"tal-r-the-bend-2016-louisiana-plakat","title":"Tal R – The bend (2016)","description":"\u003cp\u003eLouisiana poster with the work, \u003cem\u003eThe bend,\u003c\/em\u003e (2016), by Tal R, (b. 1967). \u003cspan data-mce-fragment=\"1\"\u003eTal R has been one of the most significant Danish artists of his generation since the 90s and is today richly represented in Louisiana's collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThroughout his work, Tal R has engaged with a multitude of materials and types of work: drawing, collage, print, books and sculpture. He clearly refers to the history of art, but he rather takes his motifs from the real world. Tal R's works function as portals that can invite us into other worlds.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTal R lets a whole range of different elements flow into his images as a kind of focused play, fascinated by the fragments. Writing, words, traces, form, color and substance - everything comes together and becomes the sum from which the image emerges.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFundamentally, it is the desire to create and look at images in the first place that is the backbone of Tal R's multifaceted work. This fascination is the basis of Tal R's work and it can hardly avoid spreading to the viewer.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTal R made his debut at\u003c\/span\u003e \u003cspan\u003eLouisiana\u003c\/span\u003e \u003cspan\u003ein 1997 and almost had a popular breakthrough with\u003c\/span\u003e \u003cspan\u003ethe museum's\u003c\/span\u003e \u003cspan\u003eretrospective exhibition, The Sum, in 2007. In 2017, Louisiana\u003c\/span\u003e \u003cspan\u003eopened\u003c\/span\u003e \u003cspan\u003ethe first comprehensive presentation of the artist's works created over the past 20 years.\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32249349177424,"sku":"11562","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/11562-TalR-Thebend_2016udenramme.jpg?v=1612978056"},{"product_id":"hilma-af-klint-de-tio-storste-nr-7-mannaaldern-1907","title":"Hilma af Klint – Mannaåldern De tio största nr 7 (1907)","description":"\u003cp\u003eExhibition poster from 2014, featuring the work, \u003cem\u003eMannaåldern, De tio største, no 7\u003c\/em\u003e , (1907), by the Swedish artist, \u003cspan data-mce-fragment=\"1\"\u003eHilma af Klint (1862-1944), which Louisiana exhibited in 2014. Klint never showed her abstract works publicly during her lifetime , but only her figurative ones. “I had no idea what the pictures were supposed to represent. Still, I worked quickly and safely, without changing a single brushstroke,\" explained Hilma af Klint in her notes and diaries.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHilma af Klint has not taken up much space in art history, although she can be listed as one of the pioneers of abstract art. Her extensive work is created in a spiritual space inspired by e.g. theosophical and anthroposophical currents, where she links inner experience and symbolic language.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe story of the artist is fascinating and unknown to most. It's a story about a female artist on the edge of the established canon. She belongs to the first generation of academy-educated women in Europe. She was educated in Stockholm in naturalistic portrait and landscape painting. Hilma af Klint's pictorial universe is visually strong, colour-experimental and rich in symbols.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32295103037520,"sku":"11486","price":479.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/hilma-af-klint-de-ti-storste-uden-ramme.jpg?v=1588263662"},{"product_id":"edith-rimmington-museum-louisiana-plakat","title":"Edith Rimmington – Museum (1951)","description":"\u003cp\u003eExhibition poster with the work, \u003cem\u003eMuseum\u003c\/em\u003e , (1951), by the English artist, Edith Rimmington (1902 – 1986), published in connection with the exhibition, \u003cspan\u003eFantastic Women, at Louisiana in 2020. In London, Rimmington joined the British Surrealist Group in the late thirties, and became one of the most important representatives of British surrealism.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAssociated with the Surrealist period, Edith Rimmington attends weekly Surrealist meetings in London. Together with another of the city's Surrealists, Indian-English, Ithell Colquhoun, she practices automatic writing and drawing, a technique for creating art in an almost trance-like state.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEdith Remmington's works are shown in major exhibitions of surrealist art and many of her texts and drawings are published in journals about surrealism.\u003c\/p\u003e\n\u003cp\u003eAt Andre Breton's invitation, Remmington participated in the exhibition Le Surrealisme en 1947 at the Galerie Maeght in Paris. In the 1950s, Rimmington moved from London to Sussex and from then on devoted himself mainly to photography.\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003ePlease note that a frame is not available for this poster.\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32695922884688,"sku":"104045","price":479.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/104045_Edith_Rimmington_Fantastiske_Kvinder-uden-ramme_a979d3ce-436d-4b2a-b906-b0d1ed342297.jpg?v=1594930430"},{"product_id":"eileen-agar-infinite-loop-1941-louisiana-plakat","title":"Eileen Agar - Infinite Loop (1941)","description":"\u003cp\u003e\u003cspan\u003eExhibition poster featuring the work,\u003c\/span\u003e \u003cem\u003eInfinite Loop\u003c\/em\u003e \u003cspan\u003e, (1941), by Argentinian-English artist, Eileen Agar (1899 – 1991), released in conjunction with the exhibition,\u003c\/span\u003e \u003cspan\u003eFantastic Women, at Louisiana in 2020. At the recommendation of Henry Moore, Agar joins, The London Group, in 1933 and has her first solo exhibition in the same year.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eEileen Agar's work includes various media: painting, drawing, objects, collage, frottage and photography. As the only female English artist, she was selected to participate in the Surrealism exhibition at the New Burlington Galleries in 1936.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAgar becomes a member of The British Surrealist Group and exhibits with them in Paris, New York and Tokyo. In 1936 she is shown at the major exhibition, FantasticArt, Dad, Surrealism at MoMA in New York.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32695941202000,"sku":"104046","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/104046_Eileen_Agar_Fantastiske_Kvinder-uden-ramme.jpg?v=1612971362"},{"product_id":"louise-bourgeois-femme-maison-louisiana-plakat","title":"Louise Bourgeois – Femme maison (1946-47)","description":"\u003cp\u003eExhibition poster with the work, \u003cem\u003eFemme Maison - women's house,\u003c\/em\u003e (1946-47), by the French-American artist, Louise Bourgeois, (1911-2011). The poster was published in connection with the exhibition, Fantastic women, at Louisiana in 2020. \u003cspan\u003eBourgeois' works have been exhibited at Louisiana several times and her sculptures and prints are alluring, organic and alive. The works can be regarded as models for survival and insight into life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBourgouis is a central figure in modern art history – and in Louisiana's collection. A retrospective exhibition in 2003, Louise Bourgeois – Life as Art, was followed in 2016 by the exhibition, Louise Bourgeois. Structures of Existence: The Cells - a display of large, spatial \"sculptures\" from the artist's later years: open and dissected figures, with a rawness and rigor that was typical of Louise Bourgeois.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLouise Bourgeois has always drawn, and as the very close medium between the body and the image, the drawing has always had a special status in her art, whether it materializes in charcoal, chalk, ink or in various printing techniques.\u003c\/p\u003e\n\u003cp\u003eLouise Bourgeois' work is full of autobiographical material, father disputes, painful experiences from life as a child and as a woman. It revolves around confinement, surveillance and nightmares. Experiences that just won't let go and which are apparently close to the traumatic, like a psychotherapeutic bond alley\u003c\/p\u003e\n\u003cp\u003eBut it is not. Bourgeois's art is borne of a clear awareness of just this. And this means that even if the work originates from something private, it can very well be fully accessible to the viewer – and to Bourgeois herself.\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003ePlease note that a frame is not available for this poster.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32695963811920,"sku":"104047","price":399.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/104047_Louise_Bourgeois_Fantastiske_Kvinder-uden-ramme.jpg?v=1594927690"},{"product_id":"copy-of-louise-bourgeois-femme-maison-louisiana-plakat","title":"Remedios Varo – Tailleur pour Dames (1957)","description":"\u003cp\u003eExhibition poster featuring the work, \u003cem\u003eTailleur pour Dames - Women's Tailor\u003c\/em\u003e (1957), by Spanish surrealist, Remedios Varo (1908-1963). The \u003cspan\u003eposter is from Louisiana's 2020 exhibition, Fantastic Women - the first major, collective presentation of female surrealists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eLouisiana's \u003cspan\u003eextensive exhibition of female surrealists, many of whom have been overlooked and forgotten, testified to the fact that women have played a more important and more numerous role in surrealism than in any other artistic avant-garde movement.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSeveral of the female artists shown were initially partners, muses or models for the male surrealists, but also – which has often been understated – actively performing artists themselves, contributing important works to the major surrealist exhibitions of the time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe exhibition showed on the one hand that the female artists worked within themes that were in many cases already associated with surrealism, but at the same time also how they differed from their male colleagues – not least in their search for a (new) female identity model. This often involved an examination of one's own reflection and a play with different roles and female sexuality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRemedios Varo, Tailleur pour Dames, 1957. (Women's Tailor). Oil and tempera on canvas. Modern Art International Foundation. Courtesy: Maria and Manuel Reyero Collection, New York. © Remedios Varo\/VISDA\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32695996088400,"sku":"104188","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/104188-Remedios-Varo-Fan-kvin-uden-ramme.jpg?v=1612977929"},{"product_id":"louisiana-plakat-gabriele-munter-stil-life-with-red-salad-servers-1930","title":"Gabriele Münter – Still life mit rotem besteck (1930)","description":"\u003cp\u003eLouisiana exhibition poster with the work, \u003cem\u003eStill life mit rotem besteck, Arrangement with red cutlery,\u003c\/em\u003e (1930), by the German artist, Gabriele Münter (1877-1962). \u003cspan\u003eThe poster was released in conjunction with Louisiana's 2018 exhibition featuring Gabriele Münter, one of the most important German Impressionists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBefore Gabriele Münter began to paint, she had already started to photograph around 1900 – the first time on a trip to the USA. With the camera in hand, she began to capture and maintain \"the world\", but soon she began to paint almost daily and continued on that path throughout her life.\u003c\/p\u003e\n\u003cp\u003eGabriele Münter was an open and experimental artist with an international network and an extensive exhibition business. During the First World War she stayed in Stockholm and in Copenhagen, where in 1918 she had her artistic breakthrough with her first major solo exhibition at Den Frie in Copenhagen with 100 paintings, 20 stained glass windows, etchings and murals.\u003c\/p\u003e\n\u003cp\u003eIn her 60-year artistic career, \u003cspan\u003eGabriele Münter\u003c\/span\u003e created over 2000 paintings, several thousand drawings, watercolors, stained glass, graphic magazines and around 1200 photographs.\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003ePlease note that a frame is not available for this poster.\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32802441429072,"sku":"11592","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/291359GabrieleMunter375x594mmStillLifewithRedSaladServers_HIGHweb.jpg?v=1598449452"},{"product_id":"birgit-jurgenssen-ich-mochte-hier-raus-louisiana-plakat","title":"Birgit Jürgenssen – Ich möchte hier raus (1976\/2006)","description":"\u003cp\u003eLouisiana exhibition poster with Birgit Jürgenssen's work, \u003cem\u003eI\u003c\/em\u003e\u003cspan\u003e\u003cem\u003ech möchte hier raus - I want to get out of here -\u003c\/em\u003e (1976\/2006).\u003c\/span\u003e In connection with the exhibition series, Louisiana on Paper, in 2019 Louisiana presented the Austrian avant-garde artist, Birgit Jürgenssen (1949-2003). The work is part of the museum's own collection.\u003c\/p\u003e\n\u003cp\u003eBirgit Jürgenssen belongs to a strong circle of female Austrian artists who emerged in the 1970s. Jürgensen's works are seen as playful, humorous and poetic. Several of her well-known works are based on women's conditions and radiate a claustrophobia, as an expression of the limitations women in particular were subject to at the time.\u003c\/p\u003e\n\u003cp\u003eDespite the fact that Jürgenssen's starting point was thus grounded in feminism, she was not interested in being part of a feminist movement – she also saw it as a limitation of her freedom.\u003c\/p\u003e\n\u003cp\u003eThe\u0026nbsp;battle with the notion of the normal remained a central theme throughout Birgit Jürgenssen's work.\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003ePlease note that a frame is not available for this poster.\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32924018933840,"sku":"101338","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/BirgitJurgenssen_Ichmochtehierraus1976200671x59_4cm.jpg?v=1674123518"},{"product_id":"karl-isakson-staaende-model-set-fra-ryggen-louisiana-plakat","title":"Karl Isakson – Stående model set fra ryggen (1918-20)","description":"\u003cp\u003eLouisiana poster featuring the work, \u003cem\u003eStanding Model Seen from the Back\u003c\/em\u003e , (1918-20), \u003cspan\u003eby the Swedish artist, Karl Isakson. Isakson spent most of his professional life in Denmark. He is considered one of the pioneers of modernism.\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":33069076250704,"sku":"11172","price":349.0,"currency_code":"DKK","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/11172KarlIsaksonStaendemodelsetfraryggen5705326006242.jpg?v=1612988762"},{"product_id":"vilhelm-lundstrom-model-1930-louisiana-plakat","title":"Vilhelm Lundstrøm – Model (1931)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLouisiana poster with the work, \u003cem\u003eModel\u003c\/em\u003e , (1931),\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003eby the Danish artist, Vilhelm Lundstrøm, (1893-1950). Lundstrøm was one of the central figures in early Danish modernism and Louisiana has several of Lundstrøm's works in the museum's collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eInspired by French Cubism, Lundstrøm introduced collage into Danish art in 1917. He created a series of so-called packing box pictures - assemblages - made with pieces of painted wood in geometrically abstract shapes.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn his\u003c\/span\u003e \u003cspan\u003esubsequent\u003c\/span\u003e \u003cspan\u003epainting, Lundstrøm sought new forms of expression. He turned to the great masters of art history and was inspired by the dreamlike visions of El Greco and the figurative style of Paul Cezanne. The result was his so-called “curled style”, which can be seen, for example, in the work,\u003c\/span\u003e \u003cem\u003eLunch in the Green\u003c\/em\u003e \u003cspan\u003e, from 1920, where he paraphrases Eduard Manet’s famous work of the same name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLater, Lundstrøm developed a simpler, geometric style. Together with Svend Johansen, Axel Salto and Karl Larsen, he formed the artist group De Fire.\u003c\/p\u003e\n\u003cp\u003eLundstrøm worked with still life his whole life and in his late installations he lets pure, painted surfaces of colour determine the form. He uses space-creating elements such as perspective lines, highlights and shadows. But the space becomes ambiguous because the elements are treated more as abstract forms with an intrinsic value than as illusionistic techniques.\u003c\/p\u003e\n\u003cp\u003eLundstrøm's message to a confused, ramshackle and incoherent time can be said to be overview, balance and openness.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":33073088168016,"sku":"105391","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/105391_Lundstrom_model_trim_A1_hojde_1350web.jpg?v=1615901548"},{"product_id":"vilhelm-lundstrom-opstilling-1936-louisiana-plakat","title":"Vilhelm Lundstrøm – Opstilling (1936)","description":"\u003cp\u003e\u003cspan\u003eLouisiana poster with the work,\u003c\/span\u003e \u003cem\u003eOpstilling\u003c\/em\u003e \u003cspan\u003e, (1936), by the Danish artist, Vilhelm Lundstrøm (1893-1950). Lundstrøm was one of the central figures in early Danish modernism and Louisiana has several of Lundstrøm's works in the museum's collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eInspired by French Cubism, Lundstrøm introduced collage into Danish art in 1917. He created a series of so-called packing box pictures - assemblages - made with pieces of painted wood in geometrically abstract shapes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn his\u003c\/span\u003e \u003cspan\u003esubsequent\u003c\/span\u003e \u003cspan\u003epainting, Lundstrøm sought new forms of expression. He turned to the great masters of art history and was inspired by the dreamlike visions of El Greco and the figurative style of Paul Cezanne. The result was his so-called “curled style”, which can be seen, for example, in the work,\u003c\/span\u003e \u003cem\u003eLunch in the Green\u003c\/em\u003e \u003cspan\u003e, from 1920, where he paraphrases Eduard Manet’s famous work of the same name.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLater, Lundstrøm developed a simpler, geometric style. Together with Svend Johansen, Axel Salto and Karl Larsen, he formed the artist group De Fire.\u003c\/p\u003e\n\u003cp\u003eLundstrøm worked with still life his whole life and in his late installations he lets pure, painted surfaces of colour determine the form. He uses space-creating elements such as perspective lines, highlights and shadows. But the space becomes ambiguous because the elements are treated more as abstract forms with an intrinsic value than as illusionistic techniques.\u003c\/p\u003e\n\u003cp\u003eLundstrøm's message to a confused, ramshackle and incoherent time can be said to be overview, balance and openness.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":33073092100176,"sku":"105392","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/105392VilhelmLundstromOpstilling1934hvidekander5705326006266.jpg?v=1612988836"},{"product_id":"vilhelm-lundstrom-opstilling-med-vinglas-1934-louisiana-plakat","title":"Vilhelm Lundstrøm – Setup (1934)","description":"\u003cp\u003e\u003cspan\u003eLouisiana poster with the work,\u003c\/span\u003e \u003cem\u003eOpstilling\u003c\/em\u003e \u003cspan\u003e, (1934), by the Danish artist, Vilhelm Lundstrøm (1893-1950). Lundstrøm was one of the central figures in early Danish modernism and Louisiana has several of Lundstrøm's works in the museum's collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eInspired by French Cubism, Lundstrøm introduced collage into Danish art in 1917. He created a series of so-called packing box pictures - assemblages - made with pieces of painted wood in geometrically abstract shapes.\u003c\/p\u003e\n\u003cp\u003eIn his subsequent painting, Lundstrøm sought new forms of expression. He turned to the great masters of art history and was inspired by the dreamlike visions of El Greco and the figurative style of Paul Cezanne. The result was his so-called “curled style”, which can be seen, for example, in the work, \u003cem\u003eLunch in the Green\u003c\/em\u003e , from 1920, where he paraphrases Eduard Manet’s famous work of the same name.\u003c\/p\u003e\n\u003cp\u003eLater, Lundstrøm developed a simpler, geometric style. Together with Svend Johansen, Axel Salto and Karl Larsen, he formed the artist group De Fire.\u003c\/p\u003e\n\u003cp\u003eLundstrøm worked with still life his whole life and in his late installations he lets pure, painted surfaces of colour determine the form. He uses space-creating elements such as perspective lines, highlights and shadows. But the space becomes ambiguous because the elements are treated more as abstract forms with an intrinsic value than as illusionistic techniques.\u003c\/p\u003e\n\u003cp\u003eLundstrøm's message to a confused, ramshackle and incoherent time can be said to be overview, balance and openness.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":33073095639120,"sku":"105393","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/105393_Lundstrom_vinglas_trim_A1_1350web.jpg?v=1620310464"},{"product_id":"troels-worsel-on-paper-louisiana-plakat","title":"Troels Wörsel – Uden Titel (1983)","description":"\u003cp\u003eLouisiana poster with the work, \u003cem\u003eUntitled\u003c\/em\u003e , (1983), by Danish artist, Troels Wörsel, (1950-2018), The poster was published in connection with Louisiana's exhibition of Wörsel in 2020, in the series, Louisiana on Paper. Wörsel is represented in Louisiana's collection with a number of paintings and at the time of Wörsel's death there were a large number of works on paper in his studio, the majority of which had never been exhibited before.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhereas contemporary art from the 1990s onwards has in many ways reflected on its own activist, social and viewer-engaging potential, Wörsel did not contribute to such agendas. What we encounter in Wörsel's works exists in a universe where art's own rules apply.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor Wörsel, we can think exactly what we want about the works, but for him art was simply something other than 'lived life'. Social life and life outside the studio play virtually no role in his pictures. A sign here and a sketch of a city plan there, otherwise nothing.\u003c\/p\u003e\n\u003cp\u003eIn the absence of references based on life experiences, the material is permeated by an unstoppable appetite for all things linguistic in art. The works constitute a gigantic laboratory of what affects the creation of an image.\u003c\/p\u003e\n\u003cp\u003eA mystery of a kind and at the same time an energetic and all-consuming work with the material. A world on a surface, but precisely there Wörsel stood unhindered on the shoulders of the old masters and cooked with all the ingredients and handled the tools for the production of art. It is precisely in this virtuoso development that one senses the artist's conversations with the time before his own.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":33073097801808,"sku":"105420","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/Worselonpaperweb.jpg?v=1615905130"},{"product_id":"asger-jorn-le-futur-du-passe-1971-louisiana-plakat","title":"Asger Jorn – Le futur du passé (1971)","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eLouisiana poster with the work, \u003cem\u003eLe futur du passé, (\u003c\/em\u003e 1971), by Asger Jorn (1914-73) from the series, \u003cem\u003eEtudes et Surprises\u003c\/em\u003e . \u003cspan data-mce-fragment=\"1\"\u003eA series of images that show a more delicate and sensual side than we usually see from Jorn. Asger Jorn is one of the central figures in 20th century Danish art and his works have a special place at Louisiana.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAsger Jorn's talent spans a wide range of genres, and in this woodcut, inspiration from both Japan and Edvard Munch can be felt.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAsger Jorn's paintings are about things that we all think about: life, death, love and happiness. His paintings are populated by fantasy creatures who, like us, are born and die, love, cry, laugh, etc.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJorn was an artist who transcended boundaries in every way – both in terms of the international art scene, the COBRA movement, the Situationist International and much more, but also in relation to his thoughts on the artist's position in society.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAsger Jorn's challenges of the fabric of art, of the materials, were legendary and lifelong. He worked with and processed all known categories within the visual arts, and had a special eye for precisely breaking down categorizations, if that was even possible for him.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJorn was critical of a lofty perception of art, and he consciously challenged high culture with banality, irony, humor, and anti-aesthetics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLike the generation of post-war artists, Asger Jorn insisted on the dream of community, socialism and a universal, abstract imagery that could help unite war-torn Europe.\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":33151352930384,"sku":"105520","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/113783_plakat_asger-jorn_A1.jpg?v=1612988948"},{"product_id":"mamma-andersson-humdrum-day-2013","title":"Mamma Andersson – Humdrum Day (2013)","description":"\u003cp\u003eLouisiana poster with the work, \u003cem\u003eHumdrum Day,\u003c\/em\u003e (2013) \u003cem\u003e,\u003c\/em\u003e by the Swedish artist, Karin Mamma Andersson (b. 1962), \u003cspan data-mce-fragment=\"1\"\u003ewhich\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003eLouisiana\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003epresented in 2021 with\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003ethe exhibition,\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHumdrum Days. Mamma Andersson stands as one of the most important painters of her generation and Louisiana presented her for the first time in a large exhibition in Denmark.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMamma Andersson builds her paintings on the basis of art historical references and found photographs, films and historical clippings. It is painting on painting, pictures on pictures as Andersson's works open up into a universe of suggestive and emotionally charged stories in vast landscapes, interiors and portraits:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Nordic landscape with slopes, fir forests and the special, contrasting light. Dolls, often as a substitute for people, which gives the painting a solidified, object-like character. People with their backs turned, whose faces turned away make the picture mysterious. And the color black, often in several shades and materials, oversprayed or roughly applied so that a distinct darkness arises in the picture, a darkness the artist himself associates with death.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLouisiana's exhibition presented 60 Mamma Andersson works\u003c\/span\u003e \u003cspan\u003e- including\u003c\/span\u003e \u003cspan\u003e10 new images, created especially for the exhibition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/louisiana.dk\/udstilling\/mamma-andersson\/\"\u003eRead more about the exhibition here.\u003c\/a\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39437122568272,"sku":"106571","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/MammaAnderssonhumdrumday2013LouisianaPlakatwebshop.jpg?v=1625224825"},{"product_id":"mamma-andersson-holiday-2020","title":"Mamma Andersson – Holiday (2020)","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e Louisiana poster with the work, \u003cem\u003eHoliday,\u003c\/em\u003e (2020) \u003cem\u003e,\u003c\/em\u003e by the Swedish painter, Karin Mamma Andersson (b. 1962), which L \u003cspan data-mce-fragment=\"1\"\u003eouisiana\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003epresented in 2021 with\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003ethe exhibition,\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eHumdrum Days. Mamma Andersson stands as one of the most important painters of her generation and Louisiana presented her for the first time in a large exhibition in Denmark.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMamma Andersson builds her paintings on the basis of art historical references and found photographs, films and historical clippings. It is painting on painting, pictures on pictures as Andersson's works open up into a universe of suggestive and emotionally charged stories in vast landscapes, interiors and portraits:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Nordic landscape with slopes, fir forests and the special, contrasting light. Dolls, often as a substitute for people, which gives the painting a solidified, object-like character. People with their backs turned, whose faces turned away make the picture mysterious. And the color black, often in several shades and materials, oversprayed or roughly applied so that a distinct darkness arises in the picture, a darkness the artist himself associates with death.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLouisiana's exhibition presented 60 Mamma Andersson works\u003c\/span\u003e \u003cspan\u003e- including\u003c\/span\u003e \u003cspan\u003e10 new images, created especially for the exhibition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/louisiana.dk\/udstilling\/mamma-andersson\/\"\u003eRead more about the exhibition here\u003c\/a\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39437124075600,"sku":"106570","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/MammaAnderssonholidayLouisianaPlakatwebshop.jpg?v=1625225113"},{"product_id":"morris-louis-omega-iv-1959-1960","title":"Morris Louis – Omega IV (1959-1960)","description":"\u003cp\u003eLouisiana poster with the work, \u003cem\u003eOmega IV,\u003c\/em\u003e (1959-1960), by the American artist, Morris Louis, (1912-62). Morris Louis belonged to the new generation of colorfield painters that emerged in New York after World War II. Louisiana received this work – and several others – as a gift from Louis' widow, Marcella Louis Brenner, after an exhibition at the museum in 1975.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIt is said of Morris Louis' work that he is one of the few artists of this century who has helped change the development of painting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWith Louis, a completely autonomous, abstract painting emerges for the first time. Like his contemporary Jackson Pollock, Louis was part of an experimental working group in New York, where the members worked with the methods of automatic painting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe 'colorfield' method characterizes a painting where the color is detached from any form and occupies the canvas without limitations. In \u003cem data-mce-fragment=\"1\"\u003eOmega IV,\u003c\/em\u003e Louis controls the color by letting the raw canvas stand out and removing both the center and the sense of perspective.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39462803439696,"sku":"106551","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/106551MorrisLouisOmegaIVlouisianaplakat.jpg?v=1625233648"},{"product_id":"mamma-andersson-dagen-efter-louisiana-plakat","title":"Mamma Andersson – Dagen efter (2020) - A0 format","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e Louisiana poster with the work, \u003cem data-mce-fragment=\"1\"\u003eThe Day After,\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003c\/span\u003e\u003c\/em\u003e(2020) \u003cem data-mce-fragment=\"1\"\u003e,\u003c\/em\u003e by the Swedish painter, Karin Mamma Andersson (b. 1962), \u003cspan data-mce-fragment=\"1\"\u003ewhich L\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eouisiana\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003epresented in 2021 in\u003c\/span\u003e\u0026nbsp;\u003cspan data-mce-fragment=\"1\"\u003ethe exhibition,\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHumdrum Days. Mamma Andersson stands as one of the most important painters of her generation and Louisiana presented her for the first time in large detail in Denmark.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMamma Andersson builds her paintings on the basis of art historical references and found photographs, films and historical clippings. It is painting on painting, pictures on pictures when Andersson's work open up in a universe of suggestive and emotionally charged narratives in vast landscapes, interiors and portraits:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Nordic landscape with slopes, spruce forests and the special, contrasting light. Dolls, often as substitutes for people, give the painting a solidified, object-like character. People with their backs turned, whose faces turned away make the image mysterious. And the color black, often in several shades and materials, oversprayed or roughly applied so that a marked darkness arises in the image, a darkness that the artist himself associates with death.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLouisiana's exhibition presented 60 Mamma Andersson's works\u003c\/span\u003e \u003cspan\u003e- including\u003c\/span\u003e \u003cspan\u003e10 new images, produced especially for the exhibition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/louisiana.dk\/udstilling\/mamma-andersson\/\"\u003eRead more about the exhibition here.\u003c\/a\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39481602015312,"sku":"106568","price":479.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/MammaAnderssonDagenEfter2020LouisianaPlakatwebshop.jpg?v=1626792467"},{"product_id":"mamma-andersson-dagen-efter-a1-format-louisiana-plakat","title":"Mamma Andersson – Dagen efter (2020) - A1 format","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e Louisiana poster with the work, \u003cem\u003eThe day after,\u003c\/em\u003e (2020) \u003cem\u003e,\u003c\/em\u003e by the Swedish painter, Karin Mamma Andersson (b. 1962), \u003cspan data-mce-fragment=\"1\"\u003ewhich L\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eouisiana\u003c\/span\u003e \u003cspan data-mce-fragment=\"1\"\u003epresented in 2021 in\u003c\/span\u003e\u0026nbsp;\u003cspan data-mce-fragment=\"1\"\u003ethe exhibition,\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026nbsp;\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHumdrum Days. Mamma Andersson stands as one of the most important painters of her generation and Louisiana presented her for the first time at large, in Denmark.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMamma Andersson builds her paintings on the basis of art historical references and found photographs, films and historical clippings. It is painting on painting, pictures on pictures when Andersson's work open up in a universe of suggestive and emotionally charged narratives in vast landscapes, interiors and portraits:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Nordic landscape with slopes, spruce forests and the special, contrasting light. Dolls, often as substitutes for people, give the painting a solidified, object-like character. People with their backs turned, whose faces turned away make the image mysterious. And the color black, often in several shades and materials, oversprayed or roughly applied so that there is a\u0026nbsp;significant darkness in the image, a darkness that the artist herself associates with death.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLouisiana's exhibition presented 60 Mamma Andersson's works\u003c\/span\u003e \u003cspan\u003e- including\u003c\/span\u003e \u003cspan\u003e10 new images, produced especially for the exhibition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/louisiana.dk\/udstilling\/mamma-andersson\/\"\u003eRead more about the exhibition here.\u003c\/a\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39518882922576,"sku":"106978","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/MammaAnderssonDagenEfter2020LouisianaPlakatwebshop_e0523ab1-331d-4aa6-a4bc-ca331e7ab5f6.jpg?v=1629895423"},{"product_id":"gustav-klimt-dame-med-hat-og-fjerboa-1909","title":"Gustav Klimt – Dame med hat og fjerboa (1909)","description":"\u003cp\u003eLouisiana poster with the work \u003cem\u003e,\u003c\/em\u003e \u003cem\u003eLady with hat and feather boa,\u003c\/em\u003e (1909) \u003cem\u003e,\u003c\/em\u003e by the Austrian artist, Gustav Klimt (1862-1918). With Louisiana's exhibition, Vienna 1900 - Art and Design, in 1991, for the first time in Scandinavia, you could see a comprehensive presentation of the breakthrough of modern art in Vienna around the year 1900 - including not least the visual arts, of which Gustav Klimt was one of the central exponents in the period.\u003c\/p\u003e\n\u003cp\u003eKlimt also painted landscapes, but among his most prominent works are precisely portraits – and almost only of women. He was preoccupied with surfaces, skin, the clothes around the body, the woman's hair, many view it as a tribute to passion and eroticism.\u003c\/p\u003e\n\u003cp\u003eKlimt was never interested in expressing his personality, in the painter's self-representation. Here he was in direct contrast to, for example Edvard Munch, who expressed his tormented self in his pictures of women.\u003c\/p\u003e\n\u003cp\u003eFrom a successful painter of architectural decorations early in his career, Klimt developed his more personal style, which was considered controversial – culminating in a planned series of pictures for the auditorium of the University of Vienna. The first picture from here was exhibited in the year 1900 and caused great consternation with naked figures from the child to the elderly in their struggle for life.\u003c\/p\u003e\n\u003cp\u003eKlimt then met opposition to his art for the first time. On the other hand, the exhibition was sold out by 35,000 visitors. Klimt had to retire and was not given any more public assignments.\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39567480258640,"sku":"106980","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/GustavKlimtDamemedhatogfjerboaLouisianaplakat.jpg?v=1634152020"},{"product_id":"gustav-klimt-judith-1901","title":"Gustav Klimt – Judith (1901)","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e Louisiana poster with the work, \u003cem\u003eJudith,\u003c\/em\u003e (1901), by the Austrian artist, Gustav Klimt \u003cspan data-mce-fragment=\"1\"\u003e(1862-1918)\u003c\/span\u003e . With Louisiana's exhibition, Vienna 1900 - Art and Design, in 1991, for the first time in Scandinavia, one could see a comprehensive presentation of the breakthrough of modern art in Vienna around the year 1900 – including not least the visual arts, of which Gustav Klimt was one of the central exponents during the period.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJudith\u003c\/em\u003e is a depiction of the biblical figure holding the head of Holofernes after having beheaded him. Beheadings were often portrayed in post-Renaissance art, and Klimt himself painted a version 2 of the subject in 1909.\u003c\/p\u003e\n\u003cp\u003eKlimt also painted landscapes, but among his most prominent works are portraits – and almost exclusively of women. He was preoccupied with surfaces, skin, the clothes around the body, the woman's hair, a tribute to passion and eroticism, many believe.\u003c\/p\u003e\n\u003cp\u003eKlimt was never interested in exposing his personality in the painter's self-representation. Here he was in direct contrast to, for example, Edvard Munch, who expressed his tormented self in his pictures of women.\u003c\/p\u003e\n\u003cp\u003eFrom a successful painter of architectural decorations early in his career, Klimt developed his more personal style, which was considered controversial – culminating in a planned series of pictures for the auditorium of the University of Vienna. The first picture from this was exhibited in 1900 and caused a great uproar with naked figures from the child to the old man in their struggle for life.\u003c\/p\u003e\n\u003cp\u003eKlimt then encountered resistance to his art for the first time. Klimt had to withdraw and was not given any more public commissions. In return, the exhibition was overrun by 35,000 visitors.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39567495102544,"sku":"106981","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/GustavKlimtJudith1901Louisianaplakat.jpg?v=1634153279"},{"product_id":"henning-damgaard-sorensen-ord-og-billede","title":"Henning Damgård-Sørensen – Ord og Billede (1971)","description":"\u003cp\u003eLouisiana exhibition poster with work by the artist, Henning Damgård-Sørensen, (1928-2013) from Louisiana's exhibition, Words and Images – a Poster Exhibition, in 1971. Composed of posters from several exhibitions, Louisiana showed the motley poster production worldwide, as a reflection of the artistic movements of the time: Pop art, the new symbolism, Art Nouveau, 20s style, surrealism among many more.\u003c\/p\u003e\n\u003cp\u003eLouisiana's exhibition of posters from 16 different countries showed how poster art was - and is - influenced by painting, photography, graphics and film. The exhibition brought together pop art, political poster art from Cuba, posters from Poland, where one finds a rich and independent tradition of poster art, posters from collections in the United States and Soviet posters with political content.\u003c\/p\u003e\n\u003cp\u003eIn the poster's infancy 100 years ago, it was a powerful medium with its combination of text and image. And at that time, the poster was also a fast medium that ensured topicality. And large editions allowed for repetition effects in the street scene. It's no wonder that the poster was a popular form of communication for those who had something on their mind.\u003c\/p\u003e\n\u003cp\u003eSince then, we have been flooded with communication and forms of communication, and the eye has to sort through an endless stream of images. But despite the competition, the poster has remained successful, perhaps especially as applied art, created for the present and the situation – and for memory and reflection.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39697988354128,"sku":"108022","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/Ordogbilledelouisianaplakat108022.jpg?v=1648632525"},{"product_id":"christo-running-fence-californien-1972-76","title":"Christo – Running Fence California (1972-76)","description":"\u003cp\u003eExhibition poster with the work, \u003cem\u003eRunning Fence, California,\u003c\/em\u003e (1972-76), by the Bulgarian-American artist, Christo (1935-2020). In 1978, the Louisiana exhibition showed Christo's documentation of his Californian, \"Running Fence\": a white nylon fabric that Christo, after several years of preparation, traveled from the coast and 40 kilometers inland, at a height of 5.5 meters, suspended from 2000 masts.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eChristo has always worked on gigantic projects: a 20,000-square-meter orange carpet over a valley in the United States – a work that Louisiana also exhibited in 1974 – and the wrapping of the German government building in Berlin, to name just a few.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAlso with Running Fence, Louisiana's exhibition showed Christo's documentary and sociological reportage about the preparations, which for Christo was part of the artwork.\u003c\/p\u003e\n\u003cp\u003eTogether with his assistants and lawyers, he persuaded farmers, road workers, city councils, conservation and other authorities, and he made calculations together with entire teams of engineers and other specialists. Christo raised the financing with support from museums, art collectors and other interested parties, who bought, among other things, the project's preliminary studies, drawings and collages.\u003c\/p\u003e\n\u003cp\u003eIn this way, Christo not only created things of beauty. As a landscape and environmental artist, his actions uncovered social mechanisms and shed light on attitudes, prejudices and legislation. And the sheer size of his works became a quality in itself.\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39697993597008,"sku":"108016","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/christolouisianaplakat108016.jpg?v=1648631174"},{"product_id":"auguste-herbin-jaune-1946","title":"Auguste Herbin – Jaune (1946)","description":"\u003cp\u003eLouisiana exhibition poster with the work, \u003cem\u003eJaune - yellow\u003c\/em\u003e , (1946), by the French artist, Auguste Herbin, (1882-1960). Herbin is a constructivist and in the 1930s reached the style that became characteristic of his post-war paintings – such as here, \u003cem\u003eJaune.\u003c\/em\u003e The starting point is Herbin's own system, where simple geometric shapes and pure colors correspond to specific letters and tones.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eConstructivist art has a special place at Louisiana. The museum's collection of constructivist art was significantly strengthened in 1986 with a generous donation from the American McCrory Collection. A gift that followed in the years after Louisiana exhibited McCrory's collection in 1978 – the only known overview of constructivist art at the time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eConstructivism has its roots in Russia, where the avant-garde wanted to renew the artistic idiom after the Russian Revolution. With their art, the Constructivists joined the new breakthrough that was manifesting itself politically and socially. The artist, like the engineer and the scientist, was supposed to build a new and better world.\u003c\/p\u003e\n\u003cp\u003eConstructivists built their paintings out of geometric shapes, hoping to create an art that could be understood by everyone, regardless of their background. The expression was to be rational, objective and utilitarian. Constructivists distance themselves from any depiction of the seen, the emotional and spontaneous, and instead create their own reality.\u003c\/p\u003e\n\u003cp\u003eIn parallel with the development of constructivism in Russia, experiments with the constructivist idiom were taking place in Europe. The Dutch artist group de Stijl and the Bauhaus school in Germany found inspiration in the Russian constructivists.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39698003951696,"sku":"108024","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/AugusteHerbinLouisianaplakat108024.jpg?v=1648473509"},{"product_id":"asger-jorn-jorn-1965","title":"Asger Jorn – Jorn (1965)","description":"\u003cp\u003eLouisiana exhibition poster from 1965 with work by the Danish artist, Asger Jorn (1914 - 1973), from Louisiana's 1965 exhibition, Jorn. Asger Jorn is one of the central figures in 20th century Danish art and Jorn and his works have a special place at Louisiana. This exhibition showed around 100 works from the period 1954-64.\u003c\/p\u003e\n\u003cp\u003eAsger Jorn's paintings are about things that we all think about: life, death, love and happiness. His paintings are populated by fantasy creatures who, like us, are born and die, love, cry, laugh, etc.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJorn was an artist who transcended boundaries in every way – both in terms of the international art scene, the COBRA movement, the Situationist International and much more, but also in relation to his thoughts on the artist's position in society.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAsger Jorn's challenges of the fabric of art, of the materials, were legendary and lifelong. He worked with and processed all known categories within the visual arts, and had a special eye for precisely breaking down categorizations, if that was even possible for him.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJorn was critical of a lofty perception of art, and he consciously challenged high culture with banality, irony, humor, and anti-aesthetics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLike the generation of post-war artists, Asger Jorn insisted on the dream of community, socialism and a universal, abstract imagery that could help unite war-torn Europe.\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39698008670288,"sku":"108023","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/AsgerJornLouisianaplakat108023.jpg?v=1648459393"},{"product_id":"klee-kandinsky","title":"Klee\/Kandinsky – (1971)","description":"\u003cp\u003eLouisiana exhibition poster with works by German\/Swiss Paul Klee (1879 – 1940) and Russian Wassily Kandinsky (1866-1944) from Louisiana's exhibition in 1971. The two friends had a decisive influence on modern, non-figurative painting and with the museum's exhibition in 1971 it was only the second time that the two artists' works were presented simultaneously.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePost-war art would have looked different without Klee's and Kandinsky's fruitful experiments. Kandinsky with his pure form and color expressionism, Klee with his poetic fantasy art. Klee and Kandinsky had a great influence on the development of Danish abstract art in both the 30s and 40s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTogether with a few other artists, the two created a pictorial language whose syntax was new and unknown. Not least in the interaction between the two artists' works – which Louisiana's exhibition offered an opportunity to see – one could become familiar with parts of modern art history. Kandinsky's first, abstract watercolor from 1910 and Klee's last picture from 1940 mark important fixed points.\u003c\/p\u003e\n\u003cp\u003eKandinsky left Russia in 1922 and at the Bauhaus School in Weimar he became a colleague of Paul Klee. It became one of the most fruitful and enduring friendships in modern art, with the two working and exhibiting in parallel throughout some of the most crucial years of their careers.\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39698016862288,"sku":"108020","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/KleeKandinskyLouisianaplakat108020.jpg?v=1648634315"},{"product_id":"jim-dine-stort-format","title":"Jim Dine – Words for Paul's daughters and a little Wrench 1971 - A0 format","description":"\u003cp\u003e\u003cspan\u003eLouisiana poster with work from the Louisiana collection,\u003c\/span\u003e \u003cem\u003eWords for Paul's daughters and a little Wrench,\u003c\/em\u003e \u003cspan\u003e(1971), by the American artist, Jim Dine (b. 1935). Among Dine's works is a series of \"combine-paintings\" (a term coined by his contemporary Robert Rauschenberg), in which Dine combines painting - and words - with various everyday objects. For example, as here, a wrench - wrench - at the edge of the work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJim Dine was among the artists who created the first happenings in New York in the early 1960s with the desire to break down the barrier between the artwork and its surroundings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJim Dine, like his colleague Claes Oldenburg and other pop artists, was interested in ordinary, everyday things. He painted pictures of ties, bathrobes and other items of clothing.\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39711968755792,"sku":"108723","price":479.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/JimDineLouisianaPlakat.jpg?v=1650438844"},{"product_id":"jim-dine-louisiana-plakat","title":"Jim Dine – Words for Paul's daughters and a little Wrench (1971) - A1 format","description":"\u003cp\u003eLouisiana poster with work from the Louisiana collection, \u003cem\u003eWords for Paul's daughters and a little Wrench,\u003c\/em\u003e (1971), by the American artist, Jim Dine (b. 1935). Among Dine's works is a series of \"combine-paintings\" (a term coined by his contemporary, Robert Rauschenberg), in which Dine combines painting - and words - with various everyday objects. For example, as here, a wrench - wrench - at the edge of the work.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eJim Dine was among the artists who created the first happenings in New York in the early 1960s with the desire to break down the barrier between the artwork and its surroundings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eLike Claes Oldenburg and other pop artists, Jim Dine was interested in ordinary, everyday objects. He painted pictures of ties, bathrobes, and other items of clothing.\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39711972720720,"sku":"108722","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/JimDineLouisianaPlakat_4a457e35-47f3-42e6-8e0d-4f45edc0c60f.jpg?v=1650439495"},{"product_id":"dorothy-iannone-a-cook-book-1969-orange","title":"Dorothy Iannone – A Cook Book (1969) - orange","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLouisiana poster featuring the work,\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003eA Cook Book - Orange\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003e, (1969), by the American artist, Dorothy Iannone (b. 1933). Freedom, free love, liberated sexuality and the ecstatic union with the other are central themes in Dorothy Iannone's explicitly autobiographical and explicitly erotic pictures. In 2022, Louisiana presented a retrospective selection of Iannone's works, as part of the exhibition series, Louisiana on Paper.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe drawing comes from Innone's cook book with real recipes, seasoned with existential reflections. The book is rich in details, sensuality, humor and gender political statements, which are both served salty, sour, bitter and with umami and seductive sweetness as a\u0026nbsp;take on the cookbook as a classic format. In the middle of a mayonnaise recipe, for example, the following consideration is served: \"WELL, BUT GOD COULD BE A WOMAN. SORRY.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSince the 1960s, Dorothy Iannone has developed a brightly colored, ornamental imagery that unfolds in paintings, drawings, books, video sculptures and more.\u003c\/p\u003e\n\u003cp\u003eDorothy Iannone's personal love relationships constitute an essential element. But the autobiographical depictions build on a solid foundation of mythological and historical depictions of relationships and gender, love, sex and ecstasy. Here, Iannone draws on references ranging from antiquity, the Icelandic sagas, Christianity and the Baroque to Indian tantra, world literature and film history.\u003c\/p\u003e\n\u003cp\u003eMany works have the character of psychedelic 'graphic novels', where handwritten texts and images together tell the stories - bluntly and with the humor embedded in both linguistic and pictorial details.\u003c\/p\u003e\n\u003cp\u003eDorothy Iannone was born in Boston, USA, but has lived and worked in Europe since 1967. She is represented in Louisiana's collection with two works.\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Read more about the Dorothy Iannone exhibition here\" href=\"https:\/\/louisiana.dk\/udstilling\/dorothy-iannone\/\" target=\"_blank\"\u003eRead more about the exhibition here\u003c\/a\u003e.\u003cbr\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39761177083984,"sku":"109000","price":249.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/109000ACookBookorangeLouisianaPlakat.jpg?v=1653303927"},{"product_id":"alex-da-corte-rubber-pencil-devil-2019-spogelse","title":"Alex Da Corte – Rubber Pencil Devil (2019) – spøgelse","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eLouisiana poster with still image from the video installation, \u003cem\u003eRubber Pencil Devil,\u003c\/em\u003e (2019), by the American artist, Alex Da Corte (b. 1980). From 14.07.22 to 8.1.23, Louisiana presents a visual powerhouse of an exhibition with Alex Da Corte, where, among other things, the video installation can be experienced. The exhibition is to date the largest exhibition in Europe with the young artist.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlex Da Corte works with painting, sculpture, installation and video, and he often appears in disguise in his films – including everything from Skipper Scarecrow to Eminem and the Statue of Liberty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlex conquers spaces with color at the intersection of design and visual culture. In connection with the exhibition at Louisiana, you can experience, among other things, a brand new work, which is a completely immersive scenography with specially designed floors, brightly colored walls, neon lights and characteristic scents – a whole that is like stepping into a parallel reality.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39794927763536,"sku":"109388","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/109388AlexDaCorteRubberPencilDevilspogelse.jpg?v=1657199973"},{"product_id":"carl-grossberg-der-gelbe-kessel-1933","title":"Carl Grossberg – Der gelbe Kessel (1933)","description":"\u003cp\u003eLouisiana Poster with the work, \u003cem\u003eDer gelbe Kessel - The Yellow Kettle,\u003c\/em\u003e (1933), by the German artist, Carl Grossberg (1894-1940). The poster was published in 2022 in connection to Louisiana's exhibition about Germany in the 1920s, The Cold Eye. Grossberg's yellow kettle is a central portrayal of the aesthetics that arose in 1920s German art with the rational and registering gaze, following the artistic direction, Neue Sachlichkeit - the new matter-of-factness or objectivity.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan\u003eIn the tumultuous and contradictory period after the First World War, a fascination with the American model of society arises in Germany. Streamlined work processes are implimented by\u0026nbsp;German companies and leads to rapid mechanization and industrialization.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe rational - i.e. exposed by the German artistic movement, Neue Sachlichkeit - and an aestheticization of the industrial machines, becomes a new norm that strongly influences social and cultural life.\u003c\/p\u003e\n\u003cp\u003eThis new norm is clearly seen in Grossberg's minimalist compositions of industrial plants - as for example here, \u003cem\u003eThe Yellow Boiler\u003c\/em\u003e .\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca title=\"Read more about the exhibition The Cold Eye - Germany in the 1920s here\" href=\"https:\/\/louisiana.dk\/udstilling\/det-kolde-oeje-tyskland-i-1920ernet\/\" target=\"_blank\"\u003eRead more about the exhibition here\u003c\/a\u003e\u003c\/span\u003e.\u003cbr\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39917505118288,"sku":"109629","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/DetkoldeojeCarlGrossberg_DergelbeKessel.jpg?v=1665149433"},{"product_id":"herbert-ploberger-stillleben-mit-flasche-1928","title":"Herbert Ploberger – Stillleben mit Flasche (1928)","description":"\u003cp\u003e\u003cspan\u003eLouisiana Poster with the work,\u003c\/span\u003e \u003cem\u003eStillleben mit Flasche - Still life with a bottle,\u003c\/em\u003e \u003cspan\u003e(1928), by the Austrian artist, Herbert Ploberger (1902-1977). The poster was published in 2022 in connection with Louisiana's exhibition on Germany in the 1920s, The Cold Eye. Ploberger was part of the significant artistic movement in Germany after World War I: Neue Sachlichkeit - the new objectivity, or the new objectivity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn a society characterized by great upheavals and opposing forces, the Neue Sachlichkeit artists seek to capture modern everyday life and to portray the lives and work of ordinary people in a realistic and sober way – cleansed of any sensitivity and often in a deliberately distorted or distorted form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSeveral Neue Sachlichkeit artists are particularly interested in still life. Inspired by the recording representation of photography, the painters borrow the imagery of photography in a dialogue between the two media and with a desire to depict objects without a filter, objectively and objectively. Herbert Ploberger's \u003cem\u003eStill Life with Bottle\u003c\/em\u003e is a good example.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca title=\"Read more about the exhibition The Cold Eye - Germany in the 1920s here\" href=\"https:\/\/louisiana.dk\/udstilling\/det-kolde-oeje-tyskland-i-1920ernet\/\" target=\"_blank\"\u003eRead more about the exhibition here\u003c\/a\u003e\u003c\/span\u003e.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003ePlease note that a frame is not available for this poster.\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39917506756688,"sku":"109630","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/DetkoldeojeHerbertPloberger_StilllebenmitFlasche_4cc95127-3b49-4d8c-b15d-e5baf05c596a.jpg?v=1665160963"},{"product_id":"franz-wilhelm-seiwert-freudlose-gasse-1927","title":"Franz Wilhelm Seiwert – Freudlose Gasse (1927)","description":"\u003cp\u003e\u003cspan\u003eLouisiana Poster with the work, \u003cem\u003eFreudlose Gasse -\u003c\/em\u003e\u003c\/span\u003e \u003cem\u003eBehind the mask of joys,\u003c\/em\u003e (1927) \u003cspan\u003e, by the German artist, Franz Wilhelm Seiwert (1894-1933). The poster was published in 2022 in connection with Louisiana's exhibition about Germany in the 1920s, The Cold Eye. Seiwert's work is one of many reflections of the artists' interest in the fluid boundaries between gender and sexuality that flourished in 1920s Germany - not least in Berlin.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn Germany, gender roles change with the end of the First World War. Women get the right to vote in 1918 and become part of the labor market. The artists are interested in these changes and with an almost sociological look they construct a category of the liberated, Neue Frau – The new woman. The woman is often portrayed as androgynous with masculine features, a short page, a cigarette, a shirt, perhaps a tie, and a flat torso.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn nightclubs in Berlin, for example the famous Eldorado, a significant subculture arises among transgenders and homosexuals, which the police see through - and which is depicted by the artists of the period.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca title=\"Read more about the exhibition The Cold Eye - Germany in the 1920s here\" href=\"https:\/\/louisiana.dk\/udstilling\/det-kolde-oeje-tyskland-i-1920ernet\/\" target=\"_blank\"\u003eRead more about the exhibition here\u003c\/a\u003e\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\"\u003ePlease note that a frame is not available for this poster.\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":39917507772496,"sku":"109631","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/DetkoldeojeFranzWilhelmSeiwert_FreudloseGasse.jpg?v=1665160017"}],"url":"https:\/\/butik.louisiana.dk\/en-eu\/collections\/louisiana-plakater-til-efteraaret-louisiana-design-butik.oembed?page=4","provider":"Louisiana Design Butik","version":"1.0","type":"link"}