{"title":"Jane Graverol","description":"","products":[{"product_id":"louisiana-revy-fantastiske-kvinder-surreelle-verdener-fra-meret-oppenheim-til-frida-kahlo","title":"Louisiana Revue – Amazing Women","description":"\u003cp\u003eIn no other artistic avant-garde movement did women play such an important role and appear in such large numbers as in Surrealism. But while the male protagonists of Surrealism, René Magritte, Salvador Dali, Joan Miró and Max Ernst to name just the most famous, have achieved great attention, few today have a wider knowledge of the female Surrealists.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhen the Surrealist movement emerged in 1920s Paris, all official members were men. Many female artists were part of the inner circle – not only as partners, muses and models, but as active performing artists.\u003cbr\u003e\u003cbr\u003eThis richly illustrated catalogue, published in the Louisiana Revy series for the exhibition Fantastic Women, tells the story of the large group of female artists, all of whom, with their distinctive features, have contributed to expanding the movement's visual universe, but who have been forgotten when art history was to be written.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003cbr\u003eTexts by Ingrid Pfeiffer and Tere Arqc as well as 30 artist biographies.\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Publications","offers":[{"title":"Default Title","offer_id":32693202714704,"sku":"104027","price":148.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/fantastiskerevy.jpg?v=1594851616"},{"product_id":"fantastic-women","title":"Fantastic Women (English version)","description":"\u003cp\u003eFrom the 1930s to the 1960s, women artists from all over the world were part of the Surrealist movement – not only as partners, muse and models, but as active performing artists. And although their original art helped to expand Surrealism's visual universe, many of the female artists were forgotten – unlike the male protagonists.\u003c\/p\u003e\n\u003cp\u003eIn this large and richly illustrated catalogue, published in connection with the exhibition Fantastic Women, the works of 36 female artists are unfolded, and in the catalogue's many texts the focus is on Meret Oppenheim over Leonora Carrington to the surrealists in Mexico.\u003c\/p\u003e","brand":"Louisiana Publications","offers":[{"title":"Default Title","offer_id":32695356522576,"sku":"103580","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/FantasticWomencovercopy.jpg?v=1594906291"},{"product_id":"fantastische-frauen-tysk-udgave","title":"Fantastische Frauen (German version)","description":"\u003cp\u003eFrom the 1930s to the 1960s, women artists from all over the world were part of the Surrealist movement – not only as partners, muse and models, but as active performing artists. And although their original art helped to expand Surrealism's visual universe, many of the female artists were forgotten – unlike the male protagonists.\u003c\/p\u003e\n\u003cp\u003eIn this large and richly illustrated catalogue, published in connection with the exhibition Fantastic Women, the works of 36 female artists are unfolded, and in the catalogue's many texts the focus is on Meret Oppenheim over Leonora Carrington to the surrealists in Mexico.\u003c\/p\u003e","brand":"Louisiana Publications","offers":[{"title":"Default Title","offer_id":32695404036176,"sku":"103581","price":299.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/fantastschefrauen.jpg?v=1594908390"},{"product_id":"jane-graverol-l-esprit-saint-1965-the-holy-spirit","title":"Jane Graverol – L'Esprit saint (1965)","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e Exhibition poster featuring the work, \u003cem\u003eL'Esprit saint\u003c\/em\u003e - \u003cem\u003eThe Holy Spirit,\u003c\/em\u003e (1965), by Belgian artist, Jane Graverol (1905-1984). The poster is from Louisiana's 2020 exhibition, Fantastic Women - the first major collective presentation of female surrealists.\u003c\/p\u003e\n\u003cp\u003eJane Graverol was a surrealist painter and with the work, \u003cem\u003eL'esprit saint,\u003c\/em\u003e Graverol plays with the laws of gestalt - that is, especially the question of how we as humans perceive and systematize what we see. What you see can change, depending on where you place your focus. Do you see the blue woman or do you see the bird?\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLouisiana's \u003cspan\u003eextensive exhibition of female surrealists, many of whom have been overlooked and forgotten, testified to the fact that women have played a more important and more numerous role in surrealism than in any other artistic avant-garde movement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e \u003cspan\u003eSeveral of the female artists shown were initially partners, muses or models for the male surrealists, but also – which has often been understated – actively performing artists themselves, contributing important works to the major surrealist exhibitions of the time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe exhibition showed on the one hand that the female artists worked within themes that were in many cases already associated with surrealism, but at the same time also how they differed from their male colleagues – not least in their search for a (new) female identity model. This often involved an examination of one's own reflection and a play with different roles and female sexuality.\u003cbr\u003e\u003c\/span\u003e \u003cbr\u003eThe female artists generally rebelled against gender-specific role behavior and often portrayed themselves with markedly androgynous features or in unusual roles or disguises.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJane Graverol, L'Esprit saint, 1965. (The Holy Spirit). Oil on canvas. Private collection Dilbeek, Belgium. © Jane Graverol\/VISDA.\u003c\/span\u003e\u003c\/p\u003e","brand":"Louisiana Plakat","offers":[{"title":"Default Title","offer_id":32695910629456,"sku":"104048","price":349.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0242\/1070\/2416\/products\/graverol.jpg?v=1612974526"},{"product_id":"jane-graverol-le-massacre-des-innocents-1967","title":"Jane Graverol – The Massacre of the Innocents (1967)","description":"\u003cp\u003e\u003cspan\u003eLouisiana print with the work, \u003cem\u003eLe Massacre des Innocents\u003c\/em\u003e , (1967), by the Belgian artist, Jane Graverol, (1905-1984), whose works Louisiana exhibited at the exhibition, Fantastic Women, in 2020.\u003c\/span\u003e\u0026nbsp;\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eJane Graverol was a surrealist painter and played with\u003cspan\u003e \u003c\/span\u003ethe gestalt laws - that is, especially the question of how we as humans perceive and systematize what we see.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLouisiana's \u003cspan\u003eextensive exhibition of female surrealists, many of whom have been overlooked and forgotten, testified to the fact that women have played a more important and more numerous role in surrealism than in any other artistic avant-garde movement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSeveral of the female artists shown were initially partners, muses or models for the male surrealists, but also – which has often been understated – actively performing artists themselves, contributing important works to the major surrealist exhibitions of the time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe exhibition showed on the one hand that the female artists worked within themes that were in many cases already associated with surrealism, but at the same time also how they differed from their male colleagues – not least in their search for a (new) female identity model. 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